Breadcrumb #184

SEAN BLANEY

"Shit, shit, SHIT!" Exclaims the tech at the receiver.

    The klaxons start ringing out and after a second there is a flash on the dais in the middle of the receiving bay. Now a confused young man is laying there screaming where there was until recently, nothing.

     "Who authorized this kind of transference?" I ask my tech, feeling both bewildered and impressed.

     The quantum computers are good, but they can't be that good. Even with proper calibration they shouldn't be able to differentiate between organic and non-organic materials. Even the new pseudo organic BT9s and their successor chips aren't 100% during a transfer and those are allegedly crucial for an uninterrupted stream of consciousness.

     Now I've got a subject flailing around and screaming. Poor kid may never be normal again.

     "Um..." The tech stammers. "I don't think this was authorized. I don't see any scheduled transfers on the log for today."

     The screaming intensifies.

     "Will someone please shut him up?" I yell to the guards and menials milling around outside the receiver, waiting for instructions.

     I turned from the frenetic scene unfolding and look my tech in the eye. "If we have no scheduled transfers then how did our distressed little friend end up here on my receiver?"

     The screaming now becomes a whimper as the young man behind the glass whirls around breathing heavily with a terrified look on his face. The guards approach him weapons drawn and order him to face away with his hands in the air. The man complies, wincing and whimpering with every movement. He then lets out a pained bellow as soon as the guards grab his arms to cuff him.

     I've read the theoretical abstracts from the early days of the program. I've seen the videos of test animals fused with their collars. I've heard the screams of rhesus monkeys desperately tearing at their diapers, unable to take them off. I understand what he must be going through more than most. I feel sorry for this young man, I really do. It's an unfortunate circumstance but he did arrive, unscheduled and screaming, which is going to be a problem. A problem and far too much paperwork.

“I’ve seen the videos of test animals fused with their collars. I’ve heard the screams of rhesus monkeys desperately tearing at their diapers, unable to take them off.”

      "Trace the source of that transfer!" I command the tech. "I need to get this reported to the DOE as soon as possible."

     I'm secretly impressed though. We successfully transferred a full live human body. The real question is to see if we also transferred his consciousness. I lean out of the observation room yelling to the guards. "Bring him to the closest containment room, I'd like to ask him a few questions."

    Now that I observe the man behind the one way mirror, I can safely assume he's in his early twenties and relatively normal, physically speaking. He's wearing jeans, a white tee with a flannel pattern long sleeved shirt over it. He looks incredible uncomfortable. I suspect it's because he found himself in a highly secured area with armed guards yelling at him. That and a transfer that wasn't... perfect.

     "What's your name?" I ask as I walk into the containment room.

    He's sitting on a metal chair with his hands cuffed behind his back. He looks up with wide teary eyes and says nothing.

    "OK, we can get to that later." I continue. "Due to various security reasons, I cannot disclose my name. I'm sure you'll understand. Let's start with something else. What's the last thing you remember?"

     "Why does my... my... my shirt hurt?" He whimpers confusedly. "It itches and burns so much."

     That's good, I think to myself. That's damn good. The young man seems to have an understanding of language, physical pain and the ability to coherently convey those feelings. We're making much better progress than is currently projected.

     I press again. "What's the last thing you remember?"

     "I... I was wandering through the Stata building after hours on a scavenger hunt, ya know? Taking photos of cool tech to make a collage for a club challenge. I..." He hesitates. "I broke in after hours and stumbled into this wicked awesome looking room.

    He paused to catch his breath and scratch his left arm against the back of the chair. The action makes him wince in pain.

     Poor guy.

     "Fuck that hurts!" He continues, talking through clenched teeth. "Stumbled probably isn't the right word, more like trespass into the coolest looking room I could find. Breaking and entering really. I remember turning on the lights, bumping my head and then actually stumbling around. I think I bumped into a whole bank of buttons or levers or something. I finally fell on a cold hard thing while an intense whirring sound built up. I remember an extremely bright flash, my stomach lurching and then that guy pointing a gun at me."

     He nodded his head at the guard in the back of the room. This causes him to curse and flinch again. Just then my tech burst into the room with an urgent look on his face.

     "Ma'am!" He says. "We traced the source of the transfer."

    "MIT?" I reply.

     "Y... yes." He stutters. "How did..."

     I cut him off. "Our little friend here gave up the goose. Inform the DOE of the transfer and its contents. It seems a congratulations is in order for the professors in Boston. That and perhaps a few project terminations."

     I turn to the young man. "We'll get someone from the medical team here as soon as possible. You're just going to have to sit tight... what was your name?"

     "Mason." He responds.

     "Mason." I continue. "Sit tight and try not to squirm. I understand that forced molecular integration between your skin and clothing is excruciatingly painful."

     I turn to the guard. "Try and make him as comfortable as possible."

    I address my tech again. "We need to lock this site down until the director is informed and the launch point is secured. It's going to be a long, long night. I'll be in my office drafting up the report if you need me."

    I wonder if Mason will miss the old "him." After all these transference events leave no clones.

     Poor kid.

    As I walk to my office I absent-mindedly scratch my right forearm under my jacket. I keep forgetting how seamless it is between my skin and the silk. I never forgot how much it hurt. Even after all these years.

• • •

Breadcrumb #183

EMILY RUTH TAYLOR

Irreverent though the thought may be, sermons have always reminded you of introductory English lit classes. Here is the text. Let’s look at the text. Now here’s what I think of the text. Except none of the sermons you’ve ever been to lets you raise your hand at the end and ask for clarification. Instead of letting the congregation chime in with their disagreements or thoughts, your church gives you small sheets of paper to write notes on.

    You can write notes about the sermon. Go ahead. Doubtless there are people sitting next to you that will be scribbling along dutifully. Your own mother was a scrupulous note-taker, jotting down key phrases and relevant verses.

    Perhaps, though, the sermon that day mentions Biblical Numerology or the Global Warming Conspiracy. Or it is The Easter Sermon: the same one you have heard every year since you were old enough to leave the church nursery.  Or -- even worse -- the pastor preaching it is the one you loved briefly and intensely for a month when you were a teenager and looking at him is difficult.

    So instead of listening that morning, you write a poem. Poems are the best kind of writing to do in church. You’re not sure why, but you think it may have to do with the singing. Such wonderful hymns have been passed down through the Christian tradition: hundreds of years of verses. Sometimes the rhyme scheme and archaic language finds its way into your poems: How Great Thou Art!

“Poems are the best kind of writing to do in church. ”

    Your church, however, may not provide note-paper for the congregation. You may write on paper you’ve brought yourself, comment cards, prayer cards, or brochures on how bring up Jesus Christ Our Lord and Savior in a conversation with a nonbeliever. In case of emergency, use the envelopes provided for tithing. A mischievous impulse may lead you to drop your poem into the tithe box after the sermon. Resist this impulse only if you belong to a very small congregation.

    You may write about anything you like. If you become stuck, riffle through your Bible for inspiration. Modern translations of the Bible tend to simplify at the expense of language. The King James Version is recommended: this translation has the best words. Supplication. Adversary. Vaunteth. Redeemer. Temperance. These are good words with which to start your poem. Now write.

    When the sermon ends, tuck your poem into the pages of your Bible and stand up with the rest of the congregation. Pray. Hold your Bible close to your heart, and walk back into the world.

• • •

Breadcrumb #182

MARISSA BIANCO

Yours is a violent landscape.
This Midwestern flatness
cuts
knifelike
and the trees are slapped against a maple sky

The river slashes my ankles
I want to trip with you
across the embankments
please tell me the Atlantic is getting closer

I miss salt clothing me
And I want to speed through those graffittied tunnels
Watching my reflection billow in subway chrome

But you somehow soften
the aching
for punctured clouds and
sweet Coney Island sand

We travel to where you grew up
the hills around us thrashing like a turbulent emerald ocean
I’m alone with you
and the jagged Wisconsin bluffs
inhaling an indigo sky that stretches all
the way to Brooklyn

• • •

Breadcrumb #181

KEN VALENTI

Whenever I visit my cousin Tanya, I’m the one who has to tell her daughter Didi a bedtime story. She won’t hear it from anyone else. And it can’t be a story from a book. Oh no. It has to be a tale of my own.

    “Tell me a story, and don’t you dare lie!” she commanded the other night. She’s eight now. Her knees bent and tenting the yellow night gown, she stressed the severity of her instruction by giving me the widened One-Eye-Laser Look of Ultimate Warning.

    It was all I could do to focus on not leaning back too far in the pink-painted chair I’d lined up by her bed. It was tricky, because with my feet on the floor, my knees came up higher than my sternum. 

    “A true story? You want me to tell you what I did today?” I asked doubtfully. I hoped she would say no because two months earlier I had lost my sales job to downsizing at the company where I had worked for 20 years. I had great relationships with my customers; could tell you what they got their spouses for their anniversaries and what colleges their kids were going to. I just didn’t sell as much as the best of them. I brought enough business for the company when times were good, but when we went through a particularly bad spell and a fifth of the staff had to go, I was among those cut.

     I hadn’t been able to find much work since. I’d even taken to working off the books two days a week at a hardware story that a friend’s brother and sister ran. These were not the things that make for fun conversation with a kid.

     Didi rolled her eyes with the kind of gusto that only an eight-year-old can manage. “No,” she said, exaggerating the shape of her mouth to get a deeper, more emphatic sound. Then, injecting a bit of demonstrative whimsy; “Not a real story? Yuk! Just something that tells the truth!”

     I nodded thoughtfully, then began to tell her about a Leprechaun who was very sad because he could make anyone else fly, but not himself.

     Didi gave me a look and shook her head. 

     “But that story tells the truth,” I protested.

     “I know.” This time, the emphasis came with the exaggerated annunciation and the tilted head.

     “I’m not completely stupid.”

     It took me a moment to go on because I was aching to tell her just how right she was. She was anything but stupid. She was sharp and brilliant with a soul shimmering with the purity of childhood, that all-but-invincible but tragically temporary force.

     From the kitchen, I could hear the clink of Tanya stirring milk and two cubes of sugar into my Earl Grey tea. That was the deal; while Tanya made us tea so we could talk, I would tell Didi her story.

     “She’s in there waiting for you,” Tanya would say with an affectionate smirk. “It’s got to be her cousin Freddy.”

     Didi was also the only one allowed to call me Freddy. The rest of the world called me Fred. Had I ever gotten married, I might have a daughter about Didi’s age. They would be good friends. They would call each other cousin, although technically, they would be first cousins once removed. But marriage had never happened for me. Despite several relationships over the years, I was beginning to see that a partner-for-life deal was not in the cards for me.

    Tanya had been married for years to a guy named Kurt, who was nice enough, or so I thought, until Tanya learned that he was cheating essentially every time he took one of his business trips.

     But these were adult things to think about, not topics for a chat with a child. That was especially true when talking about Kurt. Didi still adored him, and maybe that was a good thing, but I hated when she began telling me about the great things they did on their weekends together.

     So I tried again to think up a story for her. I began the story of a huge and ancient beech tree that wished it could become human and speak so that it could tell all the secrets that it had sheltered beneath its branches and show off the initials that were carved into it. The tree wanted to tell the world, “It doesn’t hurt at all when you carve the initials. It only hurts when the couples that carve them stop coming.”

“I began the story of a huge and ancient beech tree that wished it could become human and speak so that it could tell all the secrets that it had sheltered beneath its branches and show off the initials that were carved into it.”

     “BOOOO-ring!” Didi huffed dramatically.

     “Hey,” I chided gently. “Don’t be mean. You know I don’t like that.”

Too proud to apologize outright, even at that age, she folded her hands and said in a pretend-imperious tone, “Try again.”

     I sighed. When had she become so difficult? In the past, any story I told would get her to clap her hands in joy. And honestly, it was getting late. With no job, I didn’t actually have to get up before 9 a.m., but I didn’t want to lose the routine of rising early to look for work. And I hadn’t even had much of a chance to talk to Tanya.

     As if she heard my thoughts, Tanya called out from the kitchen, “How you two doing in there?”
It wasn’t surprising that Tanya and I might share a thought; we’d been inseparable as kids and now in our 40s, we were much more like brother and sister than cousins. I called out to her that we were almost done, earning another skeptical look from Didi.

     “OK,” I said to the kid. “How about a dolphin who became friends with a cat, but they could never see each other because they met when the cat’s family was on vacation in Florida and the cat lived most of the year in Ohio?”

     “Why didn’t the dolphin just get a job with Sea World?” Didi asked.

     “Good question. What about the cloud who wanted to learn how to swim? Or the vampire who kept biting his own lip? Or the hummingbird who dreamed of getting into the Olympic in the shot put event?”

“Silly, silly, silly,” Didi said.

     I gave it some thought. Then I said, “Once, there was a story, and all it wanted was to be told.”
She looked doubtful and I tried not to laugh. But she didn’t object. She folded her arms and waited.

     “This story was very sad, because a story’s whole job is for somebody to tell it, right? But nobody would. So the story went to a reporter and said, ‘Would you tell me?’ ‘What are you about?’ the reporter asked. ‘Everything,’ said the story. But the reporter frowned and said, ‘I only tell very specific stories.’ So the story went to a novelist, but the novelist was very busy not writing his own stories.”

    “Wait!” Didi’s hand shot up like a very small traffic cop. “Did you say he was busy not writing his own stories?”

    “Of course! Not writing a story is just about the busiest you can be. In fact, when you’re not writing a story, sometimes that’s all that you can do.”

    “Even if you’re not doing that either?”

     “Uh-huh. It’s all you can do, until you start writing your story. And then you have to do that.”

     “Are you sure you’re not being silly?”

     “Positive. May I continue?”

     “Fine.”

“Thank you. So the story was very unhappy, and it roamed all around the world, asking everyone it could find to be told, but everyone was busy. The story even asked a Leprechaun, a tree, a hummingbird, a vampire and a cloud, but they weren’t interested. They had their own problems.“

     ’But I can tell you everything,’ the story protested. ‘We don’t need to know everything,’ the others said. ‘But I’m already here. I can tell you how I end,’ the story said. ‘Eh,’ the others said.‘No thanks.’ And so the story continued to wander until finally, it died.”

     “It died?”

     “Yup.”

     “Like, dead?”

     “Uh-huh.”

     “But why?”

     “Because no one cared how it ended.”

     She knitted her brow, and I watched her laboring to work out just what she was missing.

     Finally, she said, “So wait. How did it end?”

     “Well look at that!” I said. “You just brought it back to life.”

• • •

Breadcrumb #180

TAYLOR HAN

“Right but suppose I get misremembered by everyone and then by getting it all wrong they make up a new version of me that I just have to go alone with, otherwise I look like a dick. Nobody gets it wrong in the right way either. They’re not going to mistake me for a film star or a pop icon. They won’t say that I was a mass murderer or was obsessed with living off the grid. It’s not even that they’ll spin too far to the other end of the spectrum, which is the part that makes me furious.

    These fuckers will get it wrong just slightly.

    They’ll say that I studied history instead of politics, or that I was allergic to nuts instead of shellfish, or that I hated Tommy Lee Jones movies when I actually didn’t mind No Country for Old Men.

    I’ll try an explain these things to them as patiently as possible but instead of realizing the simple errors that they’ve made everybody just  gets super annoyed because I’m not usually one with a prevailing sense of humor.

     Identity must be arbitrary, right? Don’t you think? Like, contextual?

     It would be like having a ghostly pebble in the shoe of your soul that you never get out no matter how hard you twist and shake your foot.

     You know what I mean? Because at least if a person completely forgets something about you then it’s an easy fix. You say oh no, you’re mistaken, I actually hate dragon fruit. No it’s more of a texture thing for me. Or maybe: nah man you’ve got the wrong guy, I don’t even know the first thing about selling ecstasy. Easy. But can you imagine if they just assumed information that was just slightly wrong, and then you’re faced with this decision to correct them or let an amalgamation of small misgivings completely change the world’s perception of you? Like a thousand piece jigsaw puzzle adding up to the new you in minuscule quantities. It would be like dropping nuclear bombs on anthills day after day after day.

“But can you imagine if they just assumed information that was just slightly wrong, and then you’re faced with this decision to correct them or let an amalgamation of small misgivings completely change the world’s perception of you?”

     Wouldn’t that just be absolute dog shit?”

     Mr. Bergknoff sighed and rubbed the bridge of his nose, pushing his glasses halfway up his unusually shiny forehead. He let them drop back down. He stifled a yawn before saying “Casey I’m not going to ask you again. No talking. It’s written on the board. Just sit quietly for the next two hours for God’s sake and then we can all go home. I honestly don’t know what’s gotten into you. You’ve never been a problem student before.”

     He flicked the paper back up and continued to read.

• • •