Breadcrumb #249

RON RIEKKI

I am a silent landscape.
I mean, a violent Midwestern fat-ass.
I cut.
But I’m the opposite of a knife.
I’m Finn.
Kinky.

I’m a river that crashes into uncles,
a trip,
not an LSD trip,
but a shooting-blanks trip,
an Atlantic sinking . . . I’m getting closer . . .

I miss salt,
but I punch at it again.
I watch my reflection in the spider web.
It’s made out of arm-chrome.

The people in this divinity library
won’t shut their goddamn mouths.

When I grew up—
let me start over—
when I threw up,
it was in a small town,
all jagged and stupid.

The indigenous part of me
looks at me
and thinks that the white part of me
should leap off a bridge into the sky.

• • •

Breadcrumb #248

MADELEINE HARRINGTON

There would be pina coladas and a fondue station at Phillip’s funeral. Rachel explained with unwavering conviction that this is “what Phillip would have wanted” as she passed around color-coded maps and itineraries. Even Grace was in on the exchange of glances that went on behind Rachel’s back, the quick nod of agreement that the oldest McGaffey child had finally lost it.

   “What are the purple circles for again?”

    Rachel groaned. “Those are the tables, Dad. I wrote everything down on the back.” We were huddled in the living room. Our framed yearbook photos and pictures from Cape Cod, the colors saturating and the outfits already dated, fanned the edges of our gathering like a disinterested audience. Grace sat in Mom’s lap (again, too old), Dad claimed the rocking chair, which despite its uncomfortable wicker structure, could subjectively give off the allure of power, and I chose the floor, to assert nonconformity. Rachel paced the edges of a carpet, regarding us with a focused yet manic expression, like a washed-up football coach hoping for his comeback.

    “It’s just sort of hard to follow. There are so many colors and symbols.”

    “Well Dad, there wouldn’t have to be any colors and symbols if you hadn’t murdered Phillip in the first place.”

    “I think “murder” is putting it a bit dramatically.”

    “Honey, let her have this one.” Mom said flatly, bouncing Grace’s wiry frame on her knees. “She’s in a vulnerable place.”

    Rachel shot Dad a triumphant glance, as if being in a vulnerable place was the greatest compliment one could receive. Dad rocked violently in his chair.

    While his weapon of choice might have been unnecessarily cinematic (he also could have gotten dressed), Dad’s reasoning for killing Phillip was completely logical and humane. If anything, he was a hero, an overweight saint in boxers decorated with zigzagged patterns of farm animals, for doing what we all knew needed to be done but couldn’t do ourselves. Phillip never left our yard not because he loved us too much, but because he had a broken wing. Animal control never returned our calls, probably because our town had recently been experiencing a serious gopher epidemic, but also probably because they didn’t care. Phillip was not only miserable, he was dying. He missed his real family and was surviving solely on Frosted Flakes and Lunchables, which while unarguably delicious, were most likely killing him slowly.

If anything, he was a hero, an overweight saint in boxers decorated with zigzagged patterns of farm animals, for doing what we all knew needed to be done but couldn’t do ourselves.

    Rachel had been ambitiously in denial about Phillip from the beginning, probably, we all agreed, not too differently than her relationship with Phillip the Human. When Mom and Dad tried to sit her down and explain the reality of Phillip the Goose, she refused to listen. She had created a narrative and was sticking to it. Mom always said Rachel would make a great politician some day, and it remains ambiguous whether this was meant as an insult or a compliment.

    “The guest list is on page 5.” Rachel pointed out impatiently.

    We all turned to page five, our frustration and general apathy making the process longer than it should have been.

    “Rachel.” Mom said sternly, her knees ceasing movement.

    This was the most emotive Mom got, so I knew it was bad before even reading it. “Rachel, what the hell? There are a thousand fucking names on this list.”

    “Language, Nicholas.” Mom murmured.

    “There are only 173.”

    “Laura Castleman? She hates you.”

    “We’ve just grown apart.” Rachel lowered her gaze to the carpet, realizing this would be difficult even for her to rationalize.

    “You haven’t talked to any of these people since high school.”

    “We like each other’s Facebook photos!”

    “This is a lot of people, Rachel. We have a very small backyard.” Mom concluded, as if that was the most pressing issue.

    I finished scanning the list and found the name I had been both hoping and dreading to be hiding at the bottom. “Phillip Stewart?” I stood up. Sitting cross-legged didn’t allott for emotive excitement. I was feeling evil, reveling in the daringness to push my teenage male immaturity to its limits. “Of course. How did I not see it? You just want to throw a huge party so that Phillip the Human will come over and be impressed. Honestly Rachel, does this guy have like a mile-long dick or something?”

    The silence that followed was both uncomfortable and pensive. The image of a mile-long dick hovered in the living room as we listened to the rhythmic creaking of Dad’s rocking chair. Rachel’s jaw grew slack and I sat back down, embarrassed for her embarrassment. Dad laughed against his will and then regretted it. Grace burped quietly.

    “Rachel,” Mom said finally. “Are you sure you want to invite Phillip the Human to the funeral? Didn’t he cheat on you with Vanessa?”

    “He said he was sorry!” She stammered, a completely inadequate answer to the question.

    “There’s no way Phillip the Human is coming to the funeral,” Dad announced, “I won’t have that chump on my property.”

     “Dad.” Rachel whined. She had officially lost her remaining threads of composure. She was begging.

    “I just think we had envisioned a quieter, more family-oriented affair.”

    Rachel looked at us with pensive desperation, as if this was the first time in her life she was realizing that the four people in the living room were the four people she was stuck with forever. She opened her mouth hesitantly, and the four of us were surprised when, rather than a series of dramatic accusations and assertions, all she said, in an unfamiliar whisper, was “please.”

    We sent out the invitations that evening. 149 addresses for 173 names, since some of the guests were siblings. Rachel chose a bubble-esque yet sophisticated cursive font and found an illustration of a goose on the internet, which was printed in the bottom left corner of each invitation.  Even Dad admitted that it looked pretty good.

      Meanwhile, Phillip the Goose sat in a shoebox atop our washing machine in the basement. We were so occupied with funeral preparations that we would’ve completely forgotten the event’s guest of honor had we not been such a laundry-oriented family. At least one of us glanced at the box every day, moving it awkwardly aside to fish out our jeans and t-shirts. On one occasion, no longer able to suppress her curiosity, Grace even opened the lid and let out a shriek that sent Dad running and caused several neighbors to turn their heads dispassionately.

• • •

Breadcrumb #247

BOB RAYMONDA

Wanda June’s journey from the castle down to the planet was an emotionally calamitous one, to say the least. The air, though breathable, felt heavy around her and filled her lungs so quickly that it became much harder to regulate her heartbeat. Especially now, as she plummeted toward the surface, a place that had never seemed more than a flimsy concept to her.  

    During her many decades ruling over Windfall City, Wanda June had done little outside of her home. She was a complete and utter shut in, save for her yearly visit to the lavish amphitheater at the top of the East Tower. The poor East Tower. It was always Wanda June’s favorite, and despite the fact that it was the only one she’d ever step foot on, she felt justified in her opinion. And why shouldn’t she? The people of this city had once worshiped her as both their Queen and their God. She wasn’t used to being told that she was anything but right. 

    That is until they showed up and ruined everything. Those other ones, with their vast warships, had reduced the East Tower to rubble, and for what? Just so that they could take control of her city and force its still-living inhabitants to rebuild once again? It was all so unfair. And the nasty things her people called her after it they’d shown up as if she was somehow responsible it all?  Despicable.

    She fell much slower than she had anticipated, though she assumed that was due in part to her environmental suit. In the instructional videos she’d watched exhaustively as a child, a descent was a much quicker affair. People like her would don one of these outfits, fly out from a hovering space ship, and collide with the surface of a planet at such a violent, exciting pace. Connecting with the ground from a great height had looked exhilarating, and she had forever longed to do so herself. But Tin-Man had warned that her fate outside the castle in the clouds remained uncertain. Had urged her to take solace in the locals’ reverence of her and remain within their shared, yes sometimes cramped quarters. A bubble in the shape of a floating fortress.

    But, no, that fervent imagined pace she had dreamed of wasn’t what happened now. Now she fought her way through the thick neon clouds, surrounded by shards of what had been best stained-glass window. Wanda June reached out and tried to grab one of those shards, yelping as it broke her gloved skin. She brought her finger to her mouth, sucking on the cut, tasting the warm copper of her blood, and fumed even more about the unfairness of it all.

    Tin-Man, her faithful robot caretaker, had taken to those others quickly. Much too quickly for her tastes. It was as if he’d been forever loyal to them, and not her as she’d been lead to believe. She wouldn’t forget the kindness he had shown her during their years together, but she’d never forgive his betrayal. His subservience to those others, the ones that looked like her with their blotchy pink skin and thread-like hair. Not only had they taken away that feeling of awe the locals had when they stood before her, but they’d stolen Tin-Man: her one true friend.

She wouldn’t forget the kindness he had shown her during their years together, but she’d never forgive his betrayal.

    The loneliness was so unbearable that, gathering up all of her courage, she donned the suit, a fragment of her long-dead mother’s days of space exploration.  She wasn’t quite sure what she’d do when she finally got that impact she so desired. But she couldn’t go to sleep at night knowing that her people detested her so. She needed to go to them. To show them that they were still in her favor, despite the heavy boots they now found upon their necks. To put things back to the way that they were before those others had ever shown up.

    A week ago, Wanda June had overheard Captain Root of her once powerful Wolfpac, speaking to Tin-Man and Corporal Timms from those others about a resistance forming on the surface. Root was confident that he could get it under control if they’d only allow him to do it alone, but Timms, that bitch, said she’d be happy to exterminate the rebels at the press of a button. To eviscerate their home, if only their home weren’t the very sewer and tunnel system built on the foundation of Windfall’s three remaining towers. The conversation was heated and ended with a standstill, but the impending conflict was inevitable.

    She must go to them, she told herself then and was still telling herself now as the uncertain pit in her stomach continued to grow. Ten stories from the ground, she remembered what the old equipment instructional videos had taught her. Built into her environmental suit were not only the anti-gravity emitters that slowed her descent but also magnetic boots that should cushion her landing. She only needed to find a way to fold herself and reach the buttons on the bottoms of her feet. She’d practiced this in her quarters, late at night for the past four, but hadn’t thought to factor in the difficulty of pulling it off midair. She depressed them seconds before it would have been too late, but it didn’t prevent her thunderous collision with the East Tower’s rubble. 

    Wanda, who’s breath was squarely outside herself now, took off the suit’s helmet and let her gray hair tumble out onto her shoulders. Her whole body heaved with sweat and she gasped for air but took a certain amount of solace in the fact that she’d survived the fall.

    As if from nowhere, she was surrounded by a horde of rebels wielding an assortment of guns like she’d never seen before. Silently, she reached down to her pocket as the one closest cocked a rifle in her face, halting her movement.

    “Not so fast, your highness,” spat the heavily tattooed young woman before her. She was wearing civilian’s clothes, but draped over her back was a makeshift cape made from the repurposed yellow of a Wolfpac guard’s robe.

    “If you’d kindly just let me grab something,” whispered Wanda June, gesturing toward her pocket, “you’ll see that I’m here on a show of good faith.”

    “String her up! Burn her like they’re burning the rest of us!” shouted someone outside the Queen’s sightline. She cringed at this obvious display of hatred but remained still.

    “I may well yet,” promised the woman before her, bringing the muzzle of her rifle even closer to the Queen’s face.

    “You know I’d shoot her in the head myself, Kendall, if I could, but we must think rationally here. We can’t kill her,” said their leader, a woman in her thirties with the violet skin of someone from the Western Reaches and tentacles that reached down past her shoulders.

    “And why the hell not?” asked the ex-Wolf. Wanda June remembered her now, after hearing her name. The new recruit who’d only a month ago gutted the surface’s criminal syndicate from the inside out was now a hair-trigger away from murdering her.

    “Think of the Queen as a bargaining chip,” said the one in the lead, “We’ll need her alive if we hope to have the upper hand.”

    Kendall groaned as she shouldered her weapon, but not until she jabbed it into the Queen’s abdomen. Wanda June screamed out, seeing red. She’d never felt true pain in her life, before the second she landed, and here it was repeating itself all over again, only moments later.

    “I promise, I’m not here for them,” whimpered Wanda June, as she pulled a white kerchief from her pocket, “I surrender, I relent, I’ll go with you willingly. I only ask for one thing...”

    “And what is that, your highness?” asked Kendall sarcastically, staring death into the Queen’s eyes.

    “Let me help you stop them,” she whined, spitting a little blood up onto her collar, “Let me help you make things right.”

• • •

Breadcrumb #246

DAN TOY

I did not choose to kick the stone in the street or hit the garish man, he says to the baby blue tie, just as I did not choose to begin brother-loving my sister until after she was, you know, way gonezo. But sure glad she is, he says. Gonezo. 

He clears his throat. Forces his eyes open, closed. The dim light in the unfamiliar room casts shadows of sterility in far pockets: a plastic-sheet-covered table here, a marble bust there. Everything in its place yet seemingly untouched, as if the house’s owner fled but its housekeeper still tended to the webs and grime. A sanctuary in which he has no business loitering — though his being there, he senses, is involuntary. 

His last memory vines itself into the walls of his head bank: the cracked street in the morning, the sun revealing itself between buildings, making clear the garish man’s retreat down a nearby alleyway — this after he had struck the garish man on his bare ankle with the rogue stone. Could a nonverbal retreat be hostile in nature? he wonders, accessing details of the scene in question: a considered eye-shift; a crescent lip; the turn of hip and heel. 

He wishes he could apologize to the garish man, despite the man’s garishness. Explain it hadn't been his choice to kick the stone in the street, just as it hadn't been his choice to start brother-loving his sister until after she was, you know, but instead he stands straight-backed in front of the baby blue tie and the man whose neck it hugs, spewing yarns about Freida’s final, wretched days, as if Freida were a cartoon villain and not his rotten, rotting sister.

And why suddenly the spewing? He’d spent the past two-plus-something years carefully and meticulously suppressing each untoward emotion. Manipulating his affect in front of their mother’s chipped porcelain mirror, the mirror helping him contort his face into something expressionless in spite of the disdain, jealousy, and anger horneting within. Smooth them out, Theo, his head bank would whisper. The creases and the lines. Then, like that, his forehead would disappear, even if the inside-feelings persisted. Repeat for wild, dilated eyes (close to calm; squint to sedate); teeth on mouth (unbite; stretch to pencil-line thinness); manic brows (massage down; finger-sculpt); bulbous cheeks (dimple-twist and settle); taut nose (condense flares; slow-exhalate; force-flatten), et al. 

Strained reflection through expressive suppression.

Though it helped (oh, that forsaken mirror with its ornate musculature — how it’d be the envy of the garish man, yes, it would!), it hadn’t been enough to quell the inside-feelings. For those, Theo resorted to whiskey (neat), self-deceit, and the abandonment of friends, family, and sleep, all of which were fittingly (and perhaps ironically) Frieda’s favorites. 

Then, like that, his forehead would disappear, even if the inside-feelings persisted.

But now, to his detriment, he’s unraveled the twine of emotional retardation he’d so carefully tied. The feelings, the faces, emerge from a forgotten recess in his body like bats from a cave, scrambling as they adjust to their new surroundings — the relief he felt as her head lolled to its side; the elation after deliberately smudging the eye makeup; the snowballing fear of realizing that, despite her flaws, she’d lived more honestly than him, and wasn’t that something to admire, if not love? — all of these echolocating in his head bank now, and for what? Why? This stranger in a tie? 

He fights to maintain supremacy over his stoic countenance when—

Yes, I'm standing in front of him now, says Baby Blue over the phone. His ExcessPal ID? Yeah, I got it. Theodore T. Partridge. Um, 12785. No, six — 12786. Likely a subscription tardiness, if I had to guess, but you're the technician. 

Baby Blue looks at him then all suspicious-like, even though it's he, Theo, who should be wary of this stranger and his home. Curled lip (failure to unfurl); heavy breathing (attempt to stabilize denied). May I ask what's happening to me? he says. Intonation in voice not complete-hidden. 

Seems like stage one, maybe beginning stage two, says Baby Blue. Listen, can you just send someone, like, nowish maybe?

The urgency cuts through Theo’s remaining defenses, making him feel as if he'd done something wrong. Had he? 

As if so on cue, the far-off ticking of a grandfather clock metronomes its way through him, heightening his current emotional imbalance. Out of sync. Not right. Very bad. Freida's high-pitched voice, a sound he hadn't considered in years, bounces around up there, reverberating, and he believes it. 

Out of sync. 

Not right. 

Very bad. 

Not bad, says Baby Blue. Yes. See you in 20. 

For a moment, the tick-ticking retreats, muffled beneath the weight of the two men’s silence. 

Then: Care for some chamomile? says Baby Blue.  

My synapses feel as if they’re rewiring themselves, says Theo. 

Ah, says Baby Blue, adjusting his already straight tie. Well.

Theo says, Do you remember the worst things you’ve ever experienced?

I’ve never tried it, Baby Blue says. The EPal system, if that’s what you’re asking. Not that I’m judging or anything. Like, I get it. 

Theo pulse-checks himself. Result: very not ideal. Abundantly clear now, in fact, inside-feelings and outside-expressions both wildly out of his jurisdiction. He uh-ohs as additional tendrils of remembrance creep into his head bank. The careful insertion of the EPal chip, reprogrammed to be remembered as self-therapy. The magnetic pull at the back of his neck as he carefully sifted through the unwanted moments and chose which to bury: Freida easing the tail of his special stuffed pig into the blades of a box fan; accolades showered upon her from friends and family while his promotions and independence went unacknowledged. These memories and more handpicked by Theo, now doubly harmful upon re-entry. 

Stage two? says Baby Blue, attuned to the unique shift in Theo’s demeanor. 

Why did I do it? Theo says. 

A lot of people do it, says Baby. If they can afford it. 

No, says Theo, not the system. The smudging. 

Are you sure, says Baby, about the chamomile? He checks the corner of the room, as if forgetting that’s not where the grandfather clock stands. 

The final tendril then worms its way inside: the gentle thumb-smudge of Freida’s under-eyes after she’d passed. They were alone in the hospital room when it happened, he realizes, and he wanted her to be found like that. Eye makeup streaked, face in a state of disarray, to show off to others how he’d always seen her: as tarnished. 

But that small, seemingly insignificant gesture had only made him feel closer to her. It helped him understand her lifetime of intentionalities, the result of her own unhappiness and lack of self-worth. In just that one action, they transformed from parasitic siblings to symbiotic ones, having each used the other for their own personal gains. Yet he couldn’t bear to live with the recognition, that it required his stooping to her level to feel, well, necessary. 

Oh, OK, all right, says Baby Blue, reacting to what Theo had apparently just vocalized as well as thought. I’m an only child, so, OK. 

Theo says, The inherent desire to keep my selfishness at bay was, probably, the most selfish act. 

Well, hey, says Baby. I gave someone wrong directions once instead of admitting I just didn’t know. 

Theo checks tear ducts (moisture-block half-failure); pain-sensitive structures in head (temple-grip unsatisfactory); ear oversensitivity (force-cool insufficient). All suppression tactics no longer feasible.

Stage three, Theo says. 

Rehumanization, Baby says. Nice to finally meet you. 

The other vines then come twisting in, crawling up, too many to track or make sense of, until his head bank becomes overgrown — the pain and selfishness and anxiety, absent for two-plus-something years, suddenly refamiliarizing themselves at once, not as weeds to be subdued but as a garden to be cultivated. But even when this happens, in a too-clean house in front of a man whose name he doesn’t know, Theo feels welcome, realizing just how singularly he’d lived under the EPal.

Pleasure to meet your acquaintance as well, he says, and though he still grapples with the flurry of arduous emotions, he means it. 

As if so on cue again, the clock noises soft-bellow themselves, becoming instead a deeper, rumbling echo: the doorbell. The technician, no doubt, come to collect the delinquent payment — but after getting all the memories back, despite the pain they could and probably would cause, Theo knows he doesn’t want to lose them again. 

Baby Blue walks the technician into the room. She whispers a “thanks for calling” to Baby, a “happens all the time,” and before Theo can speak or explain his situation, she presses a button on her tablet and his body goes limp, collapsing itself against the wall. He tries to stand back up, get her attention, but she’s already gloving her hands, tilting his head forward, thumb-running the bump where the EPal had been injected. 

Out of sync.

Not right.

Very bad. 

Looks like a simple dislodge, she says, her voice starting sounding far-away and grainy. Sorry for the inconvenience, sir. 

But the late payment? says Baby Blue. I’m not sure he really, you know, wants to—

No, oh, no, she says. Checked his records after we hung up. This guy, Partridge? Lifetime subscriber. Already paid in full. Should be all set following a quick reboot. 

Baby Blue looks at him like, Shit. Then the technician hoists him from the ground. Carries him to the door. Back onto the street. The sun still peeks through the buildings, lower now but no less bright; it immediately sets fire to his head bank, the vines quick-burning, memories emptying, faster even than they had re-entered. 

On the street, her arms still support his weight as he gradually regains some motion in his legs. Repeat with arms (sensory-flash to wriggle); lax muscles (flex-dash, fast); torso (coil-suck to withdraw); loose, heavy neck (force-uplift); closed eyes (wide-smash to settle), et al. 

And who was it carrying him? Of course. Smeared-sibling Freida, enacting another cruel punishment. The blight on his life. 

He feels her hands on his back give a subtle push, and like that, he trips over the curb, bumping into another woman walking by. 

But how had he gotten here? He did not choose to bump into the well-dressed woman, just as he did not choose to kick the stone in the street or hit the garish man, but as soon as those blissful trivialities began to re-vine themselves, they just as quickly wilted away, leaving Theo in sync, all right, and very good, yes, yes, very good indeed. 

• • •

Breadcrumb #245

HAELE WOLFE

The Atlantic was a girl, but not in the way that you think. Not in the way of ships or asses or mothers. She was a girl in the way light can be held between your hands when you are seventeen in Ohio in a field of corn that is buzzing with insects and burning with the setting sun. She had brown hair and secrets. She had hazel eyes and a smile that was a little crooked on the left side. She was a girl, she was everything. 

    The Atlantic is another name for the ocean. I know you know, but I’m saying that we’ve divided the body as if it were not one, breathing, thing. We have excised the limbs and drawn a line across the neck on globes as if it means something. As if it is some kind of fetish that allows us to traverse her body more easily. This is not the right way to treat girls. When you divide a woman into parts, you also divide her soul. Every action is met with opposition. Every action causes a reaction. Do not cut women into pieces. Do not divide girls into bodies of water. Only go swimming if you want to.

We have excised the limbs and drawn a line across the neck on globes as if it means something. As if it is some kind of fetish that allows us to traverse her body more easily.

    When you love someone you have to let them go. The Atlantic was a girl with brown hair and hazel eyes and she was so sad. She never learned how to let things go—and she loved everything. She had a room decorated in punk posters and painted bright pink on all four walls. She had a boyfriend named Dan who was in a local band that she ran the merch table and website for. They weren’t that good, and she knew. But still, it was something. On Sundays she would save her quarters and bike to the gas station to pick up doughnuts from the little plastic container on the cashier’s counter. One time she tried to dye her hair blonde but it just ended up being orange and her uncles made fun of her at Thanksgiving. She had a mother and a father and two sisters and she loved everything. And it hurt, because she never learned to let things go. 

    The Atlantic grew up and moved away from home. She grew an ass and tits and a consciousness but somehow, deep inside herself, she was still a girl. It had become her permanent state. The Atlantic got a degree in mathematics and literature. She went to rallies and found out what debt really means. She learned how to put away her eyes and listen. Her family kept telling The Atlantic that this was the best time of her life. Hearing this made her anxious. And when her mother called her on the phone, The Atlantic would take it away from her ear until all she could hear was the tinny cadence of concern echoing across the line. The Atlantic didn’t think her mother ever noticed her daughter doing this. And later, when The Atlantic realized that her mother wasn’t always going to be around, knowing that she had ignored her mother like this made The Atlantic go into dark, airless fits that burned everyone within ten feet of her.

    It’s hard to explain currents. It’s hard to talk about motion as if it is not governed by that thing your mother said to you when you were seven. As if it is not dependent on whether or not your father told you he loved you before he died. The Atlantic was governed by motion. How could she not be? She was a girl, she was everything.

    The Atlantic finished school and receded. Occasionally she would surface to make tender, brief contact with her family, her lovers, or the dogs that roamed the beach in the mornings. The animals always trotted over to The Atlantic cautiously as first, sniffing her offered hand before allowing her to bury her pale face in their fur. She was not sad, she had always raged like this. Silently, violently. When the owners caught up with their dog, The Atlantic had already receded. She was a queer thing and did not need much love. This is what she told herself under the moon when she couldn’t sleep. This is what she whispered when it was so dark that she could not see. She was trying to make it true, which is the hardest thing of all. She was trying to conjure belief out of salt.

    The moon rose, the sun set and The Atlantic.

• • •