Breadcrumb #623

JAMIE PEREZ

All the blackberries in all the caves
All the blackberry-spit on hottest days
All the seeds in love with all the dirt
And all the growing grown

A scream of sunlight meets your hushest hush
And I’m making breakfast potatoes
Edges, onions, elements hold
Roast for roast for roast

Like blood in the sink on such a Winter’s day

No, no, I mean like respite

I mean like Sunday and sky-high buildings with climate control

All the all we mean it
All the best intentions
All the bruising fruit
All the best, all the best

• • •

Breadcrumb #622

WILL BREDDERMAN

"We meet here."

The spot was on the edge of her family's property and mine: a break in the green dusk under the maples and the tangles of wild grape and rose. Kim picked the place that August day, but I was the one who'd discovered it the summer before. I'd read enough books—more than anybody in the third grade—to know that clearings in the woods were special, the sites of secret gatherings, the opening scenes of adventures that pulled you from your dull rural life into the world of action that thrummed just out of hearing and sight. 

With my back seared from hours bent over the baked clay soil of our farm, and with a new school year looming, I was ready for my adventure to begin.

And so, it seemed, was Kim. She was a year ahead of me and a girl, so we hardly talked at school or on the bus that took us ten miles there and back. But she was my closest neighbor and the only one near my age on our road, so between June and September she came over in the mornings and evenings to help me feed the rabbits and chickens. She stayed home for the day's molten core, though, when I picked beans or weeded peas or raked hay all alone. I was an only child, and both my parents had jobs.

Once in June I got to spend an afternoon at her house. It was a double-wide, my dad said, though all I knew then was that it had air conditioning and satellite TV, which made it an enormous improvement on our old farmhouse in my view. Laughing at a cartoon on some exotic station, we woke Kim’s dad and he slapped her and threw us both out.

Standing in her driveway after, her face burned red all over except for the livid handprint on one cheek, and her breath came thick and damp through her nose. So I showed her the secret clearing, and we spent the rest of the daylight building a fort there out of tree branches. We tried giving it a thatch roof tall enough to stand up under, like the hideouts kids built in movies and books, but the walls and ceiling kept lapsing and we never managed more than to crawl inside. 

Every evening after chores, we'd run there to play, telling a story where we were a brother and sister hiding from monsters trying to catch us. 

"We meet here."

It was me who suggested running away before the start of school: I didn't want to go back to the smell of paper and pink soap, to slow boring lessons and no friends. But Kim grabbed on to the idea. 

We'd leave the last night of vacation, she planned it. For a week and a half, we stowed clothes at the fort, scrap by scrap. I stuffed socks and underwear in my pockets every morning before going out to work, and once my parents left I'd run down t-shirts and jeans, a sweatshirt, my winter coat. I figured I'd time my return to just before Christmas. I knew from books that you always came home after an adventure, and everybody always was so glad to see you they forgot to be mad. And school would be easier to take if I went back in January, I thought.

Then, the last Friday of summer, my mom said something alarming as she crossed the kitchen on her way to work. I was at the table with my bowl of cereal.

"Make sure you bring all your good clothes down so I can wash them before school.”

I almost dropped the jug of milk. Soon as her Dodge slipped across the front window, I hurried for the clearing, pants snagging on rose barbs and cable-like vines along the way.

I was piling pants and shirts out of the fort on my shoulder when a voice caught me from behind.

"What're you doing?" 

I turned. It was Kim. The clothing slid down my back to the ground.

"I, my mom, she—" Kim had an angry-looking welt on her arm. I stared at it. She saw where I was looking and turned, so her face and one shoulder pointed at me.

"You're wussing out?" She had both fists curled tight and quaking, and her breath sounded wet again in her nose.

"No!" I stepped back, startled by her blazing face, almost tripped over the mass of laundry. "I have to bring these up so my mom can wash 'em. I have to, she told me! But I'm gonna bring 'em back."

"You told her about the plan?"

"No!"

She eyed me darkly. "I'll go without you, you know. I mean it."

"No! I'm coming! And I didn't tell nobody. Cross my heart."

Her eyes held mine a second longer, then trembled away.

"Okay." She bit her lip. "Remember: Monday night at eleven. We meet here."

The weekend passed in drags and jerks. It seemed I barely opened my eyes on Saturday morning before closing them that night. Sunday ground by: an eternity at church, then lunch punctuated with constant awkward questions from my mom—"Are you excited about school?" "Do you know who's gonna be in your class?" "How come you and Kim don't hang out once the summer's over?"—then an afternoon with my dad pitching hay in the wagon while oily tractor fumes glittered in the early September sun.

It seemed I barely opened my eyes on Saturday morning before closing them that night.

Labor Day we drove an hour out to the lake. The parking lot shimmered with windshields and swells of liquid heat. On the narrow band of sand, sun-drunk toddlers spun round their mothers' chairs, hairy dads strode in the water with kids hanging on their shoulders and hands, teen girls in bikinis lounged on towels. My mom propped her chair on the beach, lifted her face to a sky like blue fire, and immediately fell asleep. 

My dad and I waded into the gentle spill of green-brown water: warm at the surface, frigid against my toes and shins. Eventually my dad retreated back up the damp slope with a few words of caution, leaned his head against my mom's legs, and drowsed.

I splashed and paddled around, hoping to win the interest of one of the gaggles of kids nearby. Then, amid the glimmer of lake and sand and sun and sky, I thought I saw Kim. She was maybe a hundred feet from me, and farther into the water, head bobbing on the dappled light.

"Kim!" It seemed that she turned, but when I took a step toward her I slipped on the mossy rocks at the bottom and the lake struck my face, shot up my nose. I stood, spluttered, looked up and saw a dark shape that looked like the back of Kim's head drifting toward where the water turned to a sheet of crumpled foil and stretched toward the green hills.

I called her name again, started swimming her direction. The dark shape kept drifting, rising and settling with the rhythm of the lake. I thrust myself forward, inhaled more water, reached with my feet for the bottom and felt nothing at all. The lake's chill spread through my stomach and lungs. I struggled, thrashed, somehow got myself horizontal and swimming again.

Finally the dark shape loomed into view. It wasn't Kim's head. It wasn't a person at all—just a branch with some dead brown grass hanging off it. I looked back and saw how far I’d gotten from shore: I couldn't pick my parents out in the crowd. My heart sounded like a freight engine, I turned and strained toward the shallows. My legs grew heavy, my arms cramped, my chest felt like it might split with the effort. Water filled my ears and eyes and throat with each stroke. And with each stroke my energy ebbed away. Why fight any more? I was going to die: I accepted it. Finally, I let myself sink.

The lake's ripples rose over my chin, my lips, the tip of my nose...and my feet touched bottom. It was shallow enough I could walk.

I shoved clumsily past several families and straggled gasping onto the beach, my teeth rattling like a handful of dice. I spotted my mom and dad still sleeping, and weaved across the hot sand toward them, coughing and hunched. Finally I reached their chair and dropped on my knees.

My mom's eyes opened. "Ready to go, honey?" 

In the truck I ate a hamburger and passed out. When I awoke everything was dark. I sat up sharp, heard footsteps and my dad's voice downstairs. I looked around: my bedroom. I could just make out the Mickey Mouse clock on the shelf. It was a little after nine.

For an hour I sat in the dark, listening to my dad curse and cheer a static-hoarse baseball game on the TV below. I couldn't turn my light on, since I guessed my mom was upstairs already and would see from across the hall. Every time I blinked, my lids felt thicker, stickier, my eyes stayed shut longer. I tried holding them open till they burned. To focus I counted to a hundred,  a thousand, got bored and then started again.

When Mickey pointed to 10:37 the TV's knob clicked off, and the stairs strained as my dad climbed to bed. 

It was 10:56 by the time the handsaw rhythm of his snores drifted from across the hall. I swung my legs out of bed and stood up: the floorboards squealed as loud as I’d heard them in my life. The noise petrified me, but I glanced at the clock and hurried to my closet, grabbed the plastic bag I’d stuffed with clothes. Luckily, I was dressed still.

I edged into the hallway, tiptoed over the gripes and groans from the stairs, slipped through the kitchen to the back door. The knob whined, the hinges howled, but I got it open enough I could slide into the mudroom, where a breeze sighed at the screen separating me from the outside.

I ran across the blue gloom covering the yard, sweaty despite the chill. I’d be a minute or two late for sure—would Kim wait for me? Cold constellations loomed above, clouds swam across an all-but submerged moon. 

I reached the silhouetted trees, plunged into the brush. It snatched at my bare arms and clothes. I tripped twice, sprang back up. At last I reached the clearing.

It was empty.

“Kim,” I tried, weakly, then listened. Nothing but gurgling frogs and the dry rattle of bugs. 

Panic wracked my insides. She’d left without me! But she couldn’t have gone far, I realized: I really was just a minute late. She’d planned for us to cut through the woods to the road, follow it till it flowed into Route 20, get a ride from a truck driver like on TV.

“Kim!” I called, and listened again. I should have heard her crashing through the undergrowth.

I went and squinted into the low latticed shadows of the fort, reached inside—and pulled out her bags of clothing and food. She was late too, then. I sighed, sat down on the carpet of dead leaves and bark. And I waited. And waited.

Kim grew up to be one of those teenagers who hung out at the gas station and smoked cigarettes: she’d glance at me when I went in to buy a Mountain Dew or whatever and look away like I bored her. I'd see her riding around sometimes with a twenty-something guy who owned a motorcycle. Could be the same guy with a motorcycle my dad says is living with her in the double-wide now. I ran away by myself, eventually.

But right then I neither knew or even could imagine any of that. Right then, I was just a kid, sitting in the dark, repeating three words.

“We meet here.”

• • •

Breadcrumb #621

ELWIN COTMAN

I

Bitch, you lucky.
It is three o’clock in the afternoon
    and a young black woman who could be mistaken for my sister,
    not yet my daughter, is enraged at me,
spit flying off her lips, her finger in my face,
telling me how lucky I am;
    that she’s trying to hold back her rage
    after I supposedly stole her phone charger;
I don’t feel lucky but feel like a failure,
    that at thirty-three years old I am still going through this;
    her fire some sign of my monumental fuck-up,
    a fall from grace I didn’t see happening
until I hit the pavement of this backyard,
    her voice rising over the fresh-shorn lawns
    and ominous American flags of this suburb.

II 

Bitch, you lucky.
Which is true, I think
    as my heart roars in my ears like a sound of F-14s 
    that drown my voice as I try to teach;
my students are her peers, only a few years younger,
bearing the unseen scars this country makes on brown skin,
    grown up in the world she comes from,
    one she thinks I have no knowledge of;
a world that wants my bone like this girl just wants me gone,
    her tears spilling to think she told me about
    her addicted mother, her uncles in jail;
and I come from the syrupy sweet spot before crack
    would have swooped like a black-taloned vulture
    on my mentally ill mother and debt-ridden father.

III

Bitch, you lucky.
Especially on a day years before when
    I pass by a boy who drops his swisher
    and it bounces off my toes under a car;
he tells me to get it and makes threatening gestures,
and I won’t fight him, not even with the pot I’m carrying in a plastic bag
    for some performance art I’m doing at school;
    I won’t make it a weapon colliding with his skull;
his girlfriend across the street yells, Trey, stop being bad,
   
so he backs away to pick up the cig
    and my calming heart tells me I’m lucky;
until a few weeks later when on the bus a dark girl from England
    tells me she can’t stand lightskinned hoes;
    dark skin, light skin, like turkey meat.

IV

Bitch, you lucky.
Her friend in the house is a white boy
    who voted for Trump,
    who smokes pot with her;
he goes to the landlord and says I called him a name,
which I did, several of them, because motherfucker voted for Trump;
    his is the vote that gets me put out the house
    where I never wanted to live anyway,
and still this sticks in my craw like a bone;
    because a disagreement between blacks
    is an agreement between white men.

V

Bitch, you lucky.
After another round of drama at yet another house,
    I have to concede it is me:
    how many women who I barely know
    will end up telling me to go fuck myself?
My father calls it low-class nigger shit:
not a thing he grew up with, a new type of cancer,
    because he comes from the woods,
    no running water until she was five;
His family, and the deer, and the jack-in-the-pulpit and sedge
    populated those acres,
    his neighbors were farmers.
We didn’t have a lot of money, but we were never poor.
   
Not like blacks today, he says,
    Their spirits wooden nickels.
VI

Bitch, you lucky,
My man tells me there’s no black movie to describe my situation;
    neither Martin Lawrence nor Tyrese
    nor even Morris Chestnut had such a dilemma,
getting screamed on by some woman I’m not even fucking;
but she had to have been scoping me out, wanting me for something. 
    She’s thirteen years younger than you, 
    and you’re a doctor.
He says you have to be cold to people sometimes;
    ration your smiles or don't give them at all,
    make familiarity something they have to earn;
and I tell him, I know, out here by myself,
    friendless in this new city,
    desperate for someone to hear my voice.

VII

Ugh, you look like a leprechaun.
Maybe that’s why I’m so lucky
    with that rape-made drop of DNA that put 
    stars on my face and blood in my beard.
All y’all lightskin niggas the same.
You look like my dad.
   
Because black people don’t live with each other,
    we live about each other;
to be for each other an excuse or a disgrace,
    our minds a locked room with
    mammy and Jezebel posters on the walls; 
in her hate-spewing mouth I see the pain I don’t want,
    but today I must get in triplicate,
    a dirge at a neverending funeral.

VIII

i don’t give a fuck fuck y’all light skin niggas you is a drunk i gotta clean up after your fucking ass i ain’t nobody’s maid i ain’t nobody’s tia you bitchass motherfucker i can’t stand you bitchass nigga shut your little dicksucker i don’t give a fuck what you have to say nigga you look like a leprechaun you look like my dad i swear i’m about to go to jail for the first time nigga you lucky you lucky bitch you lucky

IX

And because I cannot call the cops,
    because they would see a domestic dispute,
    a tortured yet beautiful love they could shatter
forever with their bullets, I open my backpack
to show her there is no charger;
    and the hate in her turns cold,
    so for a second we can hear each other,
a single exhausted breath.

• • •

Breadcrumb #620

DANIEL DIFRANCO

Margaret is backstage, arched away from the barre. Little by little the ribbons unfurl, and the autumn of youth collapses. The landscape, stuttering and rushing by as from a toy zoetrope, has forgotten its limberness. Headlights on the highway. Margaret has seen them all. She stretches. Reaches back farther. Swirling in a kaleidoscope without wings. She feels impatience—has known the impatience of hunger and all that it has robbed. 

The conductor commands in time—the bassoons are calling. Margaret enters. A pirouette. The piano and dancer now, an arabesque. A slow penché cracking. The swarm flutters. Applause for the ensemble. The season has passed.

A slow penché cracking. The swarm flutters.

Margaret washes her shoes in the kitchen sink. Her feet hurt. Knees and back on their way out. The dream had been eclipsed. There’s no such thing as an old butterfly. There is either a butterfly, or there is not. She hangs her shoes to dry on a piece of string in front of the window. The city light obscures the moon and breaks in the room where she lies on the couch wrapped in a blanket drinking honeyed tea. The news calls for early snow.

Margaret falls asleep with the TV on. When she wakes up it is snowing. She stands and pulls the blanket around her body. She presses her face against the pane of glass and looks up at the blue black sky and straight into the confettied and never ending expanse of the universe. And oh, how it is beautiful—and oh, how she wishes she were dancing in the sand.

• • •

Breadcrumb #619

JOANNA VALENTE

Is it queer

    enough

to die young, still with breath

    a body emerging gender

            a gender foaming 

           from body, body waves in snake-shaped seas

    not even sailors dare travel

                and we don’t have a choice but 

                        to make choices

on presentation and poise and pose and manner

                            isms




and what are bad manners when all manners are bad?


                Is there a proper question we should


            be asking ourselves



                    or is it all too late 


                            already anyway?


            [or have all points already been null?]

• • •