Breadcrumb #658

CLAIRE ZAJDEL

there’s something about the way i’ve been, 
loving everyone and feeling empty 
‘i don’t feel good when i give—’
i tell my spiritual guide (companion, 
she’d correct me)
‘why?’ she cocks her head just so
(this is not how it should go, 
we are Catholic) 
I pause, hoping for her better answer, 
something other than self-loathing, because
i’m sure how to change that. 

the world sells self-care six ways to Sunday
but it won’t meet you in the pew, 
where the Monstrance stared at you, 
the Holy Eye, that Friday you kneeled and felt
nothing and maybe knew why. 

the Trinity — You and Them and 
Me. 
i kneel before You, i feed Them, 
and destroy myself. original sin 
always breaks in somewhere. 

‘I am not enough—
’‘none of us is,’ a friar says as i confess
my annihilation. ‘incompleteness gives
God and His people the space to
fill us. 
imperfection 
is what allows us to be loved.’ 

‘ask Him,’ another priest suggests, 
yet another reconciliation, (pray for
the knees of the scrupulous) 
‘ask Him to show you how to love
yourself 
the way He does.’ 

so i wait, patient and impatient, alternately, 
for love to pervade— 
in His way— 

and inhabit this place.

• • •

Breadcrumb #657

DALLAS WHEATLEY

I was raised sharing black raspberries on hot summer days with anybody who wanted them.

I grew up surrounded by animals. My neighbors raised cattle, my family kept cats and dogs, we chased squirrels out of our barn and watched black snakes sun themselves in the road on a hot day. Bears would visit our trees during the dry season. And we all feasted on raspberries.

I miss the simplicity of sitting beneath the shade of a cherry blossom tree, feasting on sun baked black raspberries, and watching the birds find materials for their nests in the hay field next door.

I miss sharing them with my dog, who loved to pluck them from the thorny bush herself. Pruning the shoots away so I could still be outside in bare feet, feeling the grass between my toes. Watching the deer lick dew from the verdant blades in the early morning mist.

We always had too many berries, and though it plagued my parents, I loved being able to share them with the local wildlife. They were ours, not mine.

The bushes became sacred. You left technology aside while attending them. You picked the fruit for yourself. We never once collected them to sell or freeze, because they were best when eaten immediately. What we left, we left for the animals.

I now make smoothies from frozen raspberries grown on a commercial farm based in Maine. They're tart and underripe, nothing like the perfect specimens I was raised on -- berries that would burst in your fingers if you pinched them too tightly, turning your nails purple as a mark of your viciousness. I know better than to share these sour red stones with the world around me. They're just a shadow of the ones I grew up loving, a reminder of a memory long gone.

Giving those berries to the deer or birds outside my apartment would be an insult to not only them, but how I was raised. We deserve to share the fruit we harvest ourselves, the bushes growing in rocky clay soil at the base of an ancient mountain as we greet each other from afar.

I never once called animal control at my old home in Appalachia. Those animals lived there just as I did, and we fed on the same fruits in the same seasons. But years later, when a bat got into my apartment in the middle of a busy town, I felt afraid -- not for me, but for the bat.

Why was such a small thing trapped in my apartment, so far from where it should be living? Was it hurt? Sick? Too young to know any better? Or simply lost? And then I worried for my rabbit -- if the bat is sick, will it make my rabbit sick? How do I get the bat out without catching some illness myself?

The more time I spend away from nature, the more afraid I become of what used to comfort me. I grew up around animals, both wild and domestic, and never once felt fear for my safety. But now, a single tiny bat can send me spiraling. And it haunts me, knowing that I will not outlive my grief of what I have lost.

I was raised sharing black raspberries on hot summer days with anybody who wanted them. But those bushes are now gone -- uprooted by my own parents who considered them a nuisance -- and the animals have hidden themselves away. I am still searching for them as I have searched for myself: quietly sipping at a raspberry smoothie.

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Breadcrumb #656

ANGELICA WHITEHORNE

Grandpa always told me growing up, “You ain’t nothin’ but a bunch of grass.”

“Grass in a drawn out, dry heat, 
nutrition-less, thin stalked, and sallow, 
your mess of brown hair the stringy blade’s dried tip, 
your gapped teeth the space between the greens.”

He said “You’re gunna be trampled over, 
you’re gunna be grown real thick
around the silent house of the dead, 
    you’re gunna be pissed on by dogs 
and alley cats 
and young men drunk out their minds.

You small, growing thing, thing of abundance, thing that if picked or wrecked or wilted would be replenished quickly by the sprouting seeds of young, resilient growers.

Yes, you’re gunna be crumpled in the calloused palm of many hands 
and crunched between the teeth of the herd.

You’re gunna see a lot and feel a lot of weight,

but if you’re lucky you’ll also sweat a thousand summers
hot on your straw face, taste a thousand mid-spring rains.

You’ll become fertilized and sturdy and one day,
you’ll be placed carefully between the fingers of a young
beauty and she’ll blow into you, and you will 

sing sing sing.”

• • •

Breadcrumb #655

E.S. SPARKS

“Alas, my love you do me wrong…”

A weird song for a child to sing, for sure.

“…to cast me off discourteously.”

Cast by Mr. Bowen. I’m the little girl just there in renaissance green velvet and garish gold lamé on the videotape. Past the tops of all those moms with 80s bangs teased up to high heaven, center stage. Glowing fluorescent under the bulbs turned up bright for the Christmas play.

“For I have loved you so long…”

Jesus. At least they chose a secular one to round out the program.

“…delighting in your company.”

I brush the ringlets from my face. My cheeks are strained from smiling HARD, the way only little kids do. For a moment I forget where I am and press the back of my hands to my cheeks, see the tiny fists and limp wrists? Mr. Bowen looks pissed, off to the right in front of Miss Fuller on the ivory keys. I jerk my arms down to my sides pulling on the hem of my dress. It’s fucking hot.

“GREENSLEEVES WAS ALL MY JOY!”

Really belted that one out before falling back, stiff as a pin, into a row of Santa’s little helpers and, luckily, a snowscape of strewn cotton stuffing. My dad, ever the naturalist director of photography, kept the shot tight on me until my mom yanked his elbow down—and if you listen closely—she can be heard to say, “For chrissakes John!” And that’s why they got a divorce.

Kidding. They probably just plain old didn’t love each other. That’s the usual reason, right? Not like Lady Greensleeves and whatever poor sap wrote this ditty about her. Whose most defining characteristic wasn’t even her forearms but like, the fabric covering them. You know I read somewhere that “greensleeves” may have been a euphemism for prostitute back in the day. Green owing to the fact that in those times ladies of the night would often do their work in the fields and get grass stains on them. Though in that case I think “green knees” would be more apt, don’t you? Ha ha. Not that I think sex work is a joke. I don’t. It’s work. Not “work” like this is “work,” sure. But work nonetheless. I’m veering off topic, let’s roll the tape back.

I love that about VHS, you actually roll the tape, or wind it rather, back. And you see the white static-y scrape in the middle of the screen. What actually causes that? Some sort of mechanism in the VCR must, though I don’t know how it doesn’t mar the ribbon permanently. Especially with this one. I can’t tell you HOW many times we rewatched this one. No telling why. It was pretty traumatic when you think about it. That’s the thing about being a kid. You go through an awful lot of shit before you realize how bad it really was. I’m talking YEARS later. I mean, I don’t wear velvet anymore. Sure, why would you in the South to begin with, I hear you, but I won’t on principle.

Whose most defining characteristic wasn’t even her forearms but like, the fabric covering them.

Speaking of, that Principal Farb was one nasty piece of work. Probably not hard to guess what the kids used to call him behind his back. Yeah. This guy gets it. I swear he HATED me. I dunno if it was because I ruined the pageant or what but after that he was on me like a hawk every time I used the water fountain near his office. Once he asked what I was doing there and I said I was parched, and he retorts, real condescending-like, “I bet you can’t even spell ‘parched’,” and I was like “P-A-R-C-H-E-D” ya  D-I-C-K (only I didn’t say that part out loud) because little did he know I was the UIL spelling champ come that spring. That shut him up.

There—where I put my arms down. See I think when I did that I locked my knees. It’s funny how no one ever really locks their knees until you’re at, like, assembly and they specifically tell you not to lock your knees and then not five minutes later some kid is fainting on the bleachers and Principal Fart’s all, “That’s it I guess we’re just not doing group pictures this year!” and everyone cheers and honestly you’re grateful yourself because you’re pretty sure you sneezed in the last one. And Adam L. isn’t next to you anymore because goddamn Sarah Little got transferred to your school district after her dad got custody and now everyone likes her because she’s new and it’s all so sad and you can’t even see Adam over her big stupid head.

You know we were all strangers at the start of this but now I feel like we’re a little closer, me sharing this footage and all. Kinda like the way I slipped into my old vernacular. You become more aware of that stuff when you’re up here, talking. I don’t have to be all flowery and literate with you guys (no offense), not like at my readings. No, this is a safe space. I can drop it just like—ah here she goes again—TIMBER! I shouldn’t laugh, it’s still a little girl falling, even if it’s me. It’s weird to think about, that girl being somewhere in me, like rings of a tree. There I go, waxing poetic. And after you’ve all been so patient with me. Patient patients, ha. I’ve never made that connection before. Sort of like we’re all waiting to be seen—Oh, that’s time?

• • •