Breadcrumb #105

BOB RAYMONDA

Argus shifts his body on the cold metal cot jutting out of the wall in an attempt to sleep. He’s unsure at this point how long he’s been in the cell, but the dull pain in his lower back tells him it's been a few weeks. The yellow robed guard that arrested him sometimes visits, saying nothing but passing ocean-scented breads to him through the opening in his cell door. He can’t be positive, but he tells himself that they’re gifts from Helena. It’s what gets him through his days, this rare sustenance unmolested by the crawling appendages of the pests that plague this place.

    On the opposite side of the room lay his bunkmate, an overweight brute of a character dragged in days before. The ruffian stands a head taller than Argus and speaks a language he doesn’t understand. They keep to themselves, but sometimes he’ll share one of his small loaves of bread, unwilling to create any unnecessary tension with a being three times his size. Whenever the guards drop by, with gifts for Argus or one of their standard moldy trays of scraps, the brute smacks his head against the plasma bars cackling at the shockwaves it sends through his body. 

    Less seasoned members of the Wolfpac scurry away at the outbursts, but Argus’ captor merely smiles. A long scar on her forehead, stretching up to the tentacles tied behind her, communicates her confidence in a way words can’t. She’s been through something bravado could never diminish, and it eeks out of her pores. This goads the brute into repeating himself, often enough to let the shockwaves do their work at incapacitating him. She chuckles as she leaves Argus behind to smell this unwashed wretch, to watch as he awakens hours later still seething.

   Argus feels reduced to the life of a primate in the zoo. Living day in and out in his cell as those only slightly different than him revel in his captivity and their own voyeuristic tendencies. It makes him sick, this confirmation that the residents of the upper platforms view him and his family as less than.

    He awaits sentencing from their Queen, Wanda, in the clouds. She’s rumored to be kind to offenders of his nature, more the scolding mother than the belt-wielding father. But her Wolfpac’s overbearing surveillance of the region guarantees there are hundreds of others awaiting an audience with her before him. He spends many of his waking hours scripting out his response to her one simple question: How do you plead?

    When his time finally comes, his captor again appears at the bars, a pair of plasma cuffs in her left hand and a staff taller than her in her right. She calls to him and asks, “Are you ready?” while staring down his roommate, “Go ahead, and try me Rex.”

    Argus nods, stepping forward while Rex visibly tenses up on his cot. The yellow-robed guard lowers the bars and restrains him when an explosion sounds somewhere in the neighborhood. Alarms, mounted on poles several dozen stories high emit a unfamiliar bleet. Not one of civil ordinance, but one of an oncoming attack. 

    His captor, momentarily frazzled, looks away for a moment and it’s all that Rex needs. The brute rams the full force of his body into her, sending her staff flying and Argus standing behind, confused. Rex bounds off of her toward the staff when she reacts, kicking out his ankles  and toppling him. She pins him to the ground with her knees on his shoulders as he grunts in defiance. A prisoner in another cell shouts, “What the fuck is going on?” But no one else is around to respond.

    The guard lands a few punches into Rex’s face before finally reaching the staff, slamming it behind her back, and into his gut. He passes out with little fanfare. She stands, wiping blood off of her face and spitting on him. She faces Argus, “Get back in your cell. I’ll deal with you later.”

    In the one moment while she has her back turned, Rex stops feigning unconsciousness and stands quietly. Argus pleads with his eyes for his captor to turn around, and steps back into his cage without uttering a word. She doesn’t catch his failed attempt at telepathy, though, and is thrown from her feet as Rex pulls her back by the tail of her robe. The two continue wrestling when Rex briefly catches Argus’ eye. “Run, you idiot, run,” he yelps, for the first time speaking in the planet’s common tongue.

    Still restrained, Argus takes off in the direction opposite of their scuffle. Other prisoners plead with him to free them, but he doesn’t stop. The women of the Wolfpac guarding this building have abandoned their posts to investigate the explosion, so his escape goes mostly unnoticed. Until, that is, he stops dead in his tracks mere feet away from the elevator that could take him to his salvation. An entire battalion of guards stands together on the balcony flanking it, yellow hoods removed and eyes thoroughly fixed up into the sky. Argus, who should fear these women, instead joins them in their curiosity.

    One of them looks away for a second at him, perplexed, but instead of guiding him back to his cell she removes his cuffs and points upward. A vast array of alien warships are tearing through holes in the atmosphere and raining fire upon their city. The Queen’s anti-aircraft weaponry does its best to fight back, but Argus watches with her as their once impenetrable defensive is reduced to ash effortlessly. Two of the ships flank Wanda’s castle in the clouds, and begin infiltrating it.

A vast array of alien warships are tearing through holes in the atmosphere and raining fire upon their city.

    The guard who unshackled Argus looks at him, “Whatever you did… it doesn’t matter anymore.” She looks down at her own arms and tears the robe off of her body. Not the first in the group to do so, they all head toward the elevator behind them. “Go and find whoever you care about. It may be the last chance you have left”

    Argus, still silent, nods. Slowly, he follows the young defecting recruits toward the two elevator shafts and is faced with a decision. Upwards, toward Helena, the woman he loves but has never spoken to, and likely certain death. Or down, to find his siblings and the uncle who raised them. Maybe his one last chance at survival. 

    It takes him no time to decide.

• • •

Breadcrumb #103

SEAN MULLIGAN

"What do you do for a living?" they ask.

     "I do sales."

     It's an easy question, one we hear all the time. Everyone has the built in answer. I do accounting, I do manual labor, I'm in the union, I'm a waiter. Doesn't matter. We all know what pays the bills.

     "Do you see this as a career?" they ask.

     Here's where the answer changes. A career is full-time. A career is the thing you pursue outside of just the 9-5. A career you see growth.

     9-5 I'm productive. I do well. Great even. I'm one of the few people who figured out my skill set and grabbed ahold of it.      To you my job sounds like a career.

     But let's think about this. Career implies I think about it outside of 9-5. I strive to be better. I strive to reach the next level. I am here because I know I'm qualified, I know I'm persistent, I know that when the time comes I'm ready for the next level.

     I should think about my "career" from the moment I wake up, until the moment I fall asleep.

     Here is where the issue lies.

     Some of us will focus on work. Some of us will focus on love. Some of us will focus on ourselves.

     There's a select few who will focus on taking care of ourselves, taking care of 'the pain.' We self diagnose, self medicate our problems away, and know the prescription from day one.

     We will not get the credit we deserve. Waking up to stomach lining vomit, but still making it through a day at the office. Sitting around literally thinking about the next time we get to imbibe alcohol. These things are seen as childish, irresponsible, and dumb. 

Sitting around literally thinking about the next time we get to imbibe alcohol.

     Somehow we muscle through. Day after day. We walk in each morning knowing the hill is steep, but we walk upwards. Sisyphus himself would be proud.

     We move forward against a downward sloping spiral of addiction and depression, anxiety, or a number and combination of a million other ailments.

     "What do you do for a living?" they ask.

     "I do sales."

     "What's your career?"

     "My career? I'm an alcoholic. I'm passionate about it. I think about it every second of everyday. I slowly improve upon yesterday. Each and every day I think about, 'Where does my next drink come from?' and how can I get there?"

     I pursue my alcoholism every fucking day. 24/7. It's my passion. It's the one thing I give up everything else for. I have destroyed relationships, burnt bridges, lost jobs, ruined sex, killed my social life, fell out with family, been excommunicated, isolated myself, missed funerals, missed weddings, missed life for it. That's a career, that's my full time job. And I do it really well. I am dedicated.

     You ask what I do for a living and I'll tell my "9-5."

     You ask about my career, my passion? You'll run. This takes dedication, and quite frankly, I don't think you can handle it.

     Because deep down in my heart I know if I stop I will die. Not from withdrawal, maybe not even of suicide, but just of sadness.

     I should goddamn well be able to put that on my resume, but the references would be fucked.

• • •

Breadcrumb #101

FREDDIE MOORE

The baby’s head fit in her palm like an apple. It cooed and spat. Catherine understood now why her mother had likened her own newborn head to Cezanne's post-impressionist apples. It made her hostile thinking of all the forced childhood museum trips, thinking she couldn’t be happy for just this moment, the one that was supposed to be the happiest of all moments, because she couldn’t stop thinking about those paintings. She couldn’t care less about the apples scattered about, in bowls, next to oranges, cradled in tablecloth — all those still lifes — and the baby, as if she could see them too, began to cry.

     Baby Sasha was the youngest in a long line of apples. Catherine’s whole family was full of these shining faces. There were portraits and portraits of them, all smiles and cheekbones.

     “She has red hair,” her husband, Bryden, noted, as the baby cried over him. This was a surprise to both parents: Bryden, blonde; and Catherine, brunette; but there were cousins on Bryden’s  side that could explain the recessive trait.

     “Our little apple.” The painkillers were speaking for Catherine. “Do you think all that red hair will stay with her?”

     For Catherine, having Sasha brought a flood of recognition: what it must have been for her mother to hold her as a baby, and now, even though she had known it for years, it was undeniable that she had once been a twin. She didn’t tell this to Bryden, because she couldn’t explain it, but her body could remember.

______

     Throughout the pregnancy, people would touch Catherine’s rounded belly without asking. They would smile so hard that their eyes seemed to bulge with their teeth. She had a hard time matching the aggression of their enthusiasm.

     Bryden’s closest friend, Pat, was the only the one who didn’t look at them with anticipation. Everything with him was the same. He would visit their place for dinner and bring beers. He didn’t ask how they intended to set up a nursery, or whether they would be moving into a bigger place someday and having more kids. Pat was a goof. Catherine thought he looked like Archie, from the comics she grew up with, with all that wild red hair. He was the only one who didn’t beg for them to be any different, any more together than they had been before.

     At the doctor, Catherine made sure that she was only having one baby. Twins ran in her family. “One girl,” the doctor would reassure her, but she still found herself holding sonograms to the light for clues of something that might appear or leave her.

     After her morning sickness passed, Catherine would wake up in the middle of the night feeling like a shark was ripping her insides. When she asked her mother, Denise, what plagued her pregnancy, Denise pinched her wine glass and said: “Dandruff. The worst dandruff of my life.”

     Catherine scratched her scalp in anticipation. She wanted to ask her mother what it was like to see her baby — Catherine’s twin — disappear from the sonograms back when it happened, but even during Catherine’s own pregnancy, the timing didn’t feel right.

______

     Pat was the first to visit them at home after Sasha was born. Catherine stayed seated on the rocking chair, the only place their newborn wouldn’t cry, and tried to stay awake. Something had changed in the way Bryden interacted with Pat. He kept short sentences short. He made excuses to leave the room.

     “Little red,” Pat mused, as Catherine offered Sasha into his arms. “She’s such a beauty.” He smiled at Catherine and then to Bryden, who returned an arbitrary smile and let his eyes turn to the corner of the room.

     Catherine could see all the muscles in Bryden’s body pulling up as he retreated into his mind, like a bomb trying not to explode. Catherine looked up at Pat, redheaded Pat, with all that hair, holding Sasha, and could see where her husband’s mind had gone.

______

     Bryden stopped inviting Pat over and Catherine felt strange inviting him over herself. She had Pat’s phone number primarily to contact Bryden, and that was the extent of their friendship. She was offended, honestly, that Bryden could even imagine she would have a secret affair with Pat, who the two of them adored, but was stubborn and too absorbed in himself to ask whether or not to bring over booze, or care enough to ask about their plans in the next few years — whether they wanted to have another kid, or someday buy a home.

     They went weeks without seeing Pat, the longest they had been without him since they all met in college, and she could see Bryden getting better. He started sleeping close to her again. He started making clown faces for Sasha and smiling when she would laugh along. Catherine felt like this could be the time to bring it up — the way Bryden had looked at Pat — but worried it would be like opening a fresh cut to the air too soon.

     In all truth, after seeing the empty look Bryden had for their daughter, Catherine didn’t want to leave Sasha alone with him. The look made Catherine think he was capable of doing anything without feeling. On his good days, she would occasionally leave them alone in a room together, and eventually, she felt maybe the problem was her — her own silly anxieties — and left the two alone while she went to pick up groceries for the week. The whole time at the supermarket she felt like she was walking up high on the edge of her worst thoughts and forgot the peanut butter she went out buy in the first place.

On his good days, she would occasionally leave them alone in a room together, and eventually, she felt maybe the problem was her — her own silly anxieties — and left the two alone while she went to pick up groceries for the week.

     All the windows were dark when she brought the groceries home. She called Bryden’s name and flicked the lights on, hoisting the food-filled bags up onto their kitchen counter. There was red hair all over floor. She could see it now with the light. The grief swallowed her and she tried telling herself it wasn’t definite — it couldn’t be until she saw Sasha — but she was losing control over her breath and tears and what-ifs. She found herself in the nursery, which was lit only by the yellow streetlights outside, and there was Bryden holding Sasha — living, cooing Sasha — who was blowing wondrously big bubbles with her saliva.

     “You shaved her head,” Catherine said, trying to get closer to take Sasha out of his arms.

     “Catie, I know she isn’t mine.”

     “She’s ours, Bryden”

     “She isn’t mine with all that red hair.”

     She felt like screaming loud enough about Bryden’s red headed cousins that all the neighbors could hear. How loud would she have to shout to convince him of the science behind recessive traits? She stopped herself, knowing it was the worst possible thing to add to the situation.

     “You aren’t making any sense.” She approached Bryden, who backed toward the window.

     “I don’t buy this thing you’re putting on.” He broke eye contact with Catherine and Sasha’s bubble making boiled into a cry, the kind of crying that wasn’t going to stop for a long while.

     “Bryden, will you please let me hold her?” she could imagine all of Sasha’s warmth in her arms as the baby’s cries filled the space. “I can share my secret, but you’ve got to let me hold her.”

     Catherine could feel the cool, yellow breeze coming from the window and hear sirens from one of the local fire engines burning outside. Bryden put Sasha in her arms. Their little apple. Their poor girl. Catherine felt there was no need to flick a light. Her mind was busy imagining all of the ways she could escape the house, down the stairs and away from this threat she couldn’t have imagined while holding sonograms to the light.  

     “I was supposed to be a twin.” Catherine admitted. She recited the secret as if it was someone else’s. “Nobody told me. I found it in one of my mom’s journals when I was eight: ‘We’re having twin girls!’” Bryden was quiet. Catherine felt he wasn’t listening. His mind was still on Pat and this strange possibility that the baby belonged to his friend.  

     “My mom doesn’t talk about it.” Catherine stared at Bryden for eye contact. “And I didn’t think about it much before Sasha, but now I think about it all the time. I used to go crazy worrying that another child would suddenly appear in me.” Catherine laughed, looking for Bryden to join her. It was funny admitting the fear out loud.

     “That’s ridiculous.” Bryden finally spoke, annoyed that Catherine had moved their talk away from Sasha’s red hair, from Pat, and the mess in the kitchen.

     “You’re not hearing me,” Catherine took her time and finally met Bryden’s eyes. “I’m telling you I know what it’s like to worry about things that don’t make sense.”

• • •