Breadcrumb #325

SAHINA JEROME

His fingers astounded me

His fingers played me better than my ex,

In fact

His fingers played me to the rolling hills,

To rollercoasters,

To just eyes rolled

In the back of my head --

A grin on my mouth

A grin down south.

A grin.

I saw the brightest of colors

I heard the sharpest of sounds

I felt light;

Spellbound.

Felt my heart and every pound.

God was like, "Yo, what the fuck?"
Priorities forgotten:

Bills huh? Loans who? Rent what?

With his hands, he blessed me

Though my body was his to worship

Like a memorized prayer

He knew me better than what he could understand.

• • •

Breadcrumb #324

CHRISTINE QUATTRO

When my parents started mailing me pieces of my childhood, they came back broken. Picture frames with shattered glass, surrounded by leaking snow globes that still played White Christmas, small shards of sparkling glass cutting deeply into the fibers of 1980s Kodak matte prints. A small child, underwater. Eyes open, paddling. Red polka dot swim suit on both the child submerged and the child in the reflection on the underside of the waves. A swim school instructor had the idea to photograph children mid stroke in 8 feet of water. I swam the length of the pool over and over for him to get the best shot. Each time I breached, I went back under with my cheeks puffed and lips pursed to preserve my air supply. 

    There are things that make it. My first dogs, Jack and Russell. Two small ceramic dogs from a set of what surely was an elderly woman's hobbyist collection. 1994 stamped into their bellies. We could not have the graceful German Shepard of my father’s childhood and we certainly couldn't have the "Dog— any breed ok" that appeared as number one on every Dear Santa letter I penned. So, these were my dogs.  Despite the fact they had to be carried and couldn’t go outside and were constantly on the verge of breaking and being put in the garbage. There is the not-to-scale-Jack Russell, named Jack, with white fur over a light grey mask over his muzzle and eyes. There is to-scale-Golden Retriever, named Russell because he looks like his name might actually be Russell. Three of Jack’s legs have been broken and expertly repaired by my mother or grandfather or whoever was around to super glue. Jack comes back to me wrapped in an old black sock of my father’s.  It has a golden toe and is in the box next to a white gym sock of my father’s that holds Russell. These two socks somehow survived the horrors of my mother’s laundry room and made it to this box to keep these first ceramic canines intact long enough to live in a home with my two real dogs. It's horrible to say Jack and Russell aren't real. It’s horrible to admit that they're just ceramic because all that time on the blue carpet of my bedroom, I pretended they were. By this I mean that I pretended they were enough. 

It’s horrible to say Jack and Russell aren’t real.

    So in between the broken picture frame and the leaky Christmas snow globe and the small travel cases from hotels and airplanes that my mom sends because I might have forgotten how to pack my bags for a trip across country I did every year for the first 15 years of my life, and again for the next 15 after that, is a small envelope with twenty Ambien. The Ambien are intact, tucked in between Jack and Russell and the socks my dad left behind or socks that left my dad behind or the socks my father left behind when he left and it was just me, using them to scrub the end of a golf club or a sneaker or polish a spoon.

    I could call and say things broke but inevitably they must know because they packed the box. I don't call though I think of calling because the new pretenses of my father almost killing himself and begrudgingly coming back to life is that we get along and only talk about present problems not past ones. This is a box full of my past that cannot even compare to this now present future I spend all my hours obsessing over. This is a box of sadness and loneliness and small ceramic friends with imaginary personalities. This is a box that shows me that even I knew then what I wanted all along, and that I didn't stop until I got to it.  One day I will have a dog. Maybe even two. One day I’ll leave. Maybe never come back.  Jack's grey mask over his white fur looks like my real dog Gunner’s. Jack is lean and fast and so is she. Russell is big and brooding but gentle, and so is my real dog Cash. Russell has blonde hair and a steady face, and so does Cash. There is no girl figurine in the box except the image of one in a red polka dot swimsuit under water. She opens her eyes wide though the chlorine must burn. She's probably used to it in the way that all swimmers are. She held her eyes open, the instructor told my mother, when all the other kids had theirs closed. I dust the girl off, try to pick the shimmering scales of glass off the surface, run my hand over the cuts in the photo fabric that weren't there before the frame broke on its ill-advised postal voyage. She might have been better off had she stayed on the wall of that room with the blue carpet where I last left her. But maybe, the person who packed her in the box knew that much like the real girl, this one couldn't stay either.

• • •

Breadcrumb #323

MARY MELLON

1      

Alice is wearing a soft silver beanie interlaced with threads like twinkling stars. She has the round, open face of a flower and long eyelashes. She had a rum and diet when she first arrived at the party, but now she is sitting on the sofa alone. Pink bangs obscure her expression as she glares down at her notebook.

    Untie me
    Bruises bloom
    Across white skin
    And as blood glistens
    I know you for what you are
    An animosity I will never escape from

    “What are you writing?”

    Alice looks up to see a boy with golden eyes watching her. He is tall and large-boned, but stands slightly stooped over. When their eyes meet his crinkle like twin suns.

    “A poem.” 

    “Are you a writer?”

    Alice watches him closely. The look in his eyes appears sincere. “I want to be.”

    “Me too. Do you mind if I take the seat beside you?”

    Alice shrugs. The boy plops into the seat next to her. “My name is Gabe. What’s yours?"          

     Gabe was haunted. Need threatened to swallow him. He claimed Alice could save him but Alice objected. She was familiar with symptom swapping. She said it was best to look inward.

    Gabe had flowers delivered to her doorstep every morning for weeks. There were orchids, tulips, roses. There were lilies, gladioli, and chrysanthemums. The flowers were always white. Gabe spoke about his family, dreams, and what she meant to him. Alice was rootless. His devotion touched her.  

    “So you’re essentially a good girl,” Gabe concluded, when discussing their pasts.

    “No.”

    Alice hated her reflection. She wrapped men around her finger. Her friendships were dependent on the possibility of sex. Her friendships were based on male egos. She did not believe anyone could care for her. She did not believe anyone could see her. Her friends disappeared with Gabe in the picture. But that was alright. She began to lean on him. He was her father, son, and brother. She was his mother, daughter, and sister.

She did not believe anyone could care for her. She did not believe anyone could see her.

    He was different once he claimed her affection. She fell from the pedestal and broke into pieces. He cut his hands on the shards. He was surprised women bleed.  

                                                                        2

    Alice tries to mingle when she arrives at the party. But uncertainties weigh on her. She loves Gabe. She left Gabe. She makes an excuse to her friends and slips outside. There is a table and chairs on the deck. Alice takes another sip of her beer and opens to a fresh page of her notebook. 

    Tuesday

    If someone offered you smack right now, you would have done what he had, but with the awareness of an adult, and while he always assumed you were “essentially a good girl” there is a darkness in you that might even surpass the darkness in him.

    Smile and keep smiling. Inside you register emotion in kaleidoscopic detail. But once you cross the line—you did not land on your feet, you did a face plant—it is much easier to give in and give up than to get past this.

    You must lose yourself in others because you are already aware that you do not exist. Eleanor brushes up against you. Disappear into the crowd, two women, with singular life stories, lost in a sea of people who are simultaneously together and alone. For a while, you can project yourself outwards, and escape.

    I am the girl to avoid, Alice thinks, as Greg approaches. Greg is the friend of a friend. He has the elastic gaze of a true New Yorker. His bulk obscures the rest of the room as he muscles closer.

    “What are you doing all on your own?”

    Her notebook hops across the table when she shrugs. “I don’t play well with others.”

    Greg stands out from the mosaic of people over his shoulder. But Alice notices when a man with bald head like a peeled potato edges closer. Greg turns to the man. “Tony. Get us two more beers.”

    “I already have a beer.” 

      “Have another one.”

      “Okay. But I could go for something more exciting than beer.”

      “Like what?”

      “Like coke.”

      Greg passes her what looks like a cigarette. Alice reaches for her lighter and the cigarette droops to the floor. 

    “What are you doing? Don’t waste it you dope. There’s coke in there.”

      “There is?! I’ve never done coke in a cigarette before!”

    “I can tell you’re very excited about doing coke. Your cheeks keep curving upwards in this big smile.”

    Tony reappears with the beers. For a moment Alice can feel the weight of a beer in each hand.

    “I have more coke at home if you want to come to my place.” Greg leans closer to shelter Alice from view.

    “Can we do more here?”

    “I might be able to get you some. Let’s do some shots first.”

    Alice glances down at the pink cylinder in her purse. She slips her bag over her shoulder. Inside Greg pours them both two shots of Patron at the kitchen table. They clink glasses and she tosses hers back in quick succession.

    “You look like such a nice girl. But you’re hard as nails, aren’t you?”

    “I’m a bad person,” Alice says agreeably.

    Her head pounds. She looks away for a moment. They are in a bathroom. Greg tips a line of white powder across his pinky and tells her to snort. Suddenly her mood is brighter. Wonder and contentment hit her in waves. 

    “This is great!!!”

    Greg leans forward as if to kiss her. Alice steps back and traces the shape of his eyebrow just to tease him.

    She walks away.

                                                                                                                                    Friday

      Love is an open wound that will not stop bleeding. It darkens corners, and street signs, and when the man smiles at her, she knows she should walk away, which is why she walks closer. He has beady eyes, with too much hardness in them, but she feels strangely confident now, because it is only when you expect better from people that they can hurt you.

    Alice grasps hands with the man. When she pulls away there is a small packet in her closed fist. Alice slips inside the closest shop and opens the door to the bathroom. She inhales deeply. Thought and emotion meld, with an overarching clarity. There is nothing more peaceful.

    An evening comes when Alice passes Gabe on the street again. He likes seeing her red-eyed, downcast, and alone. Her drinks her tears for nourishment. They give body to his soul.

    Alice is in the company of another man, a handsome stranger. He can see the light in the other man’s eyes when he kisses her. Although her expression is sad, a dull electricity shines in her baby blues, as if transmitting the message that it is time to move on.

                                                                        3

    In upstate New York Gabe sat in her bedroom. His heart was creaking open. A flower—pedals crumpled—crushed in his large hands.

    Alice opens the door to her apartment when she returns home from the party and turns on the light. The is a liter of Bacardi and a half empty coke zero on the kitchen table. She tucks her keys in her pocket as she locks the door, pulls out a chair, and sits.  

    Her skin is beginning to itch. Not the deep, writhing itch of poison ivy, but as if someone is tickling her. Her head is whirlwind of pixilated throbbing. She can feel a light sweat, like a sheen of poison rising from her skin. Alice retrieves the cloth sunglass case nestled beneath her left breast. Inside is a purple pill case. When she turns it over several pieces of cut up, day-glow colored straws fall into her open hand. Alice unwraps a fresh square of paper and forms a line.

    From inside the bedroom she hears a sound. The headboard denting the wall as someone stands abruptly. There are footsteps. Alice freezes. The pink cylinder in her purse might protect her from an intruder but not one with a gun. Alice grabs the pepper spray and stands, simultaneously unlocking the door behind her.

    Her bedroom door opens. “Alice. My Alice.” He is drunk and probably high.

    “You need to leave.” 

    “You left me.”

    “I didn’t leave you. I gave you a choice.” Her right hand shakes but she focuses on the feel of plastic under her fingertips.

    Gabe takes several heaving steps towards her. He moves as if to hug her, pulling her in against the warmth of his body. For a moment she can almost believe he is the source of comfort and protection she imagined him to be. She pushes against his chest. His hands wrap around her throat. She is seeing stars.

• • •

Breadcrumb #322

MANUELA CAIN

Luci took me under her wing.
Sat right next to me on the bus that Tuesday when brother was home with the flu.
She says things like “You’re a baby” and “Don’t be stupid.”

Luci has those shiny hair clips mama won’t buy me.
Luci don’t carry a plastic square lunchbox like mine.

“That’s Booger Boy. Don't talk to him.”
I know Booger Boy. I see him every morning. His parents are old like grandparents.
Didn’t matter what nobody said to that boy, his finger’ed be up his nose and then out on the green vinyl in front of him like it was all he knew how to do.

I nodded like I didn't know.
I wanted to learn everything.
I wanted to learn everything the way Luci told it.

Luci told me, “Watch out for white people they’re not like us.”
I peeked across the aisle. Saw Cat’s blonde hairs clinging to the static of the vinyl, shiny and long.
Luci says, “Don’t hold hands with boys unless their hair is brushed and their shoes is new.”

Luci calls me estúpido, says I’m lucky she sat next to me.
I believe it.

Her nails are lavender and her baby hairs are pressed smooth to her forehead.
I wonder if I could hold her hand. If she’d say that’s stupid or breaks some rule.

Luci says she saw me down the block.
Says there’s something wrong with girls who run around with boys.
Says I should know better.

By the end of the week, brother’s back. He says to stay away from Luci.
I act like I don’t care.

I watch her through the crack between the seat and the window.
I wonder if she’s looking for me.

I think maybe she’s tellin’ some new girl about Booger Boy.
Saying to stay away from me too.

• • •

Breadcrumb #321

CLAUDINE NASH

The toothless
pterosaur
you used
to feed
keeps crying
for your
cold corn
and sardine
soup.
I spent
the morning
in the side
garden
grinding
insects,
dicing
scallions
and bits of
fresh fish,
yet still
he spits
my sorry
excuse of
a stew into
the dunes.
I fear time
is finding
him growing
thin and
ornery.
It's not
my intent
to make
another
suffer
hunger,
but I must
admit I
love the way
his wings
make wind
when he
takes off
bothered
and empty-
bellied.
Tomorrow
I will tuck
your recipe
book back
under my
mattress and
bring him
a basket
of bread
soaked in
salt water
instead.
I thought
you both
knew
I'm not
much of
a cook.

• • •