Breadcrumb #593

GARY GLAUBER

Her death surprised me
even though signs 
pointing to that end
were clear enough: 
stage four and yet
never a dimmed spirit.
She was one who lived
with fervor, so much
that she could breathe
excess passion into characters
on a darkened stage
and captivate lives
of audiences beyond
the ordinary rigmarole
of their workaday tedium,
lives needing that 
infusion of extra vigor
she deftly provided.
She was whip smart,
a contemporary whose
savvy and tenacity
turned her into
instant mentor
to any of us in her circle.
She showed me how
the talented surround
themselves with more talent,
magnetic attraction
extending into fulfilling 
life of caring friends, 
continual discoveries.
She introduced me
to the dark acerbic comedian,
long before fame found him,
he who cobbled quite a 
successful career of complaints,
whining about politics
and civil injustices that
comprise our modern lives.
He loved her too.  
She is gone too soon, 
and something sinks inside me,
remembering her smile,
her talent, her generous way
of opening doors to those
younger, greener, needy
and learning their craft.
Her friends became my friends
at a time when the lonely city
overwhelmed, but this 
coterie’s affable welcome
countered and overcame.
We savored and cherished
each others’ successes.
Over years we lost touch,
our once close camaraderie
reduced to niceties on social media,
support distilled to likes and follows.
And now death arrives, 
the ultimate posting,
a one-way trip with no curtain calls,
a sharp blow to the solar plexus,
a seizing up, a sizing up, a silent 
appreciation of her many wonders. 
Slowly, the exodus has begun.
One generation making way 
for another, new means of 
storytelling occupying 
inquisitive young minds. 
At the end, she said 
she found true love.
Amidst the pain of disease
and scheduled sessions of 
agonizing chemical hopefulness,
came the unlikely happy ending 
we as audience all root for. 
Her thoughts shall still find voice
from stage and page, but her life
was the truest inspiration.
I stand here removed,
and applaud loudly, hoping
she hears the heartfelt roar,
beyond the spotlight 
her sweet life commanded,
to this new home 
in oblivion’s darkened wings.

• • •

Breadcrumb #592

ILANA ROTHMAN

He tells me near nothing else, and I am not surprised.

The ignored messages are their own answer, but the unopened ones at least give me something to wait for. The terrible intermittent reinforcement of it all. The occasional trivialities and tormented crypticisms I hear from him are just enough to keep me from giving up hope entirely.

I near always respond right away. I lack a “play-it-cool” bone in my body. 

When I tried to explain this feeling to my Uber driver he called it love.

For so long I’ve been the girl who writes about boys, and for so long he’s been the boy, and yet he is so much more than “the boy”. If he were only “the boy,” some abstract figure that I have latched onto for the sole purposes of enhanced artistic expression, it would have been far easier to keep my hand off his shoulder.

If this were just about “winning” I wouldn’t have been so worried when I saw how depressed he was, and I wouldn’t still be so worried now. If this were purely a matter of mind rather than heart, I wouldn’t have gotten drunk and cried over him at a friend’s wedding the weekend after I last saw him.  And then cried again, sober, when that goddamn Hamilton song came on shuffle. The one where Angelica realizes that she will never, not ever, be ‘satisfied,’ because her one true love will never be hers. If this were just about looks, talent, intelligence, any one particular characteristic, I wouldn’t have felt more euphoric running through a grocery store with him than I did making love to someone else.

If this were purely a matter of mind rather than heart, I wouldn’t have gotten drunk and cried over him at a friend’s wedding the weekend after I last saw him.

I confess, I use his more or less continual state of psychological unrest as an excuse to hold onto my largely inexplicable feelings for him. I refuse to relinquish them despite all rational evidence that I ought to, despite having been actively told to, so that they remain there, shimmering as ever, in the unlikely case that he should ever want or need them.

You may mistake this sentiment for a self-sacrificial or even masochistic one but it is not, or at least not entirely. For me, wanting to keep this non-thing thing alive is actually quite selfish. Because for however un-returned it has always been, this force drawing me to him has long ceased to feel as if it is weakening me or corroding me.  The pain of it all has burned off with time and has left quite the opposite. It feels beautifully familiar.  It feels like a kind of life force, even a superpower. The ability to tap into such raw passion feels like strength.  It feels like stability, it feels like a talisman; like some pure and sacred thing in this vile excuse for a world. 

So, in a way, I will admit, yes, to continue feel for him is often a highly specific way to continue feeling the inarticulate longing that might be better directed towards the people who properly care about me, or even perhaps the universe itself.

But I still wish he would tell me more.

There are a thousand other reasons a thousand times more plausible that I’ve ended up a mere afterthought to him, to be always kept at an arm or two’s length (my insanity, my clinginess, my impulsiveness, my insanity, my invasiveness, my insanity, my selfishness, the last girl, my insanity). But if, ever, he even suggested that the thing that stopped him from confiding in me was that he wouldn’t want to hand me the burden of his despair, I’d tell him that that was madness.  And I’d tell him that I’d rather hear the worst, than know nothing, hear anything at all.

I’d tell him about how I’m anchor-less, and just what I’d give for him to come and weigh me down.

• • •

Breadcrumb #591

KEVIN GU

Crunching gravel hides behind her bland irises
scratching glass dams that tremble

from the iced honeysuckle tears
dripping through citrus eyelashes.

The taste of rusting apricot cider
melts in the dried voice of her unspoken words

until she burns in an amber fire
created from the remnants of her own fading stars.

Her esophagus hot to the touch, like embers, but 
softened like the salted butter mixed in her boxed brownies

oozing out of her pores, spiced honey
drizzles down soft skin, flesh pricked

she picks up her cup, filled with clementine peels,
and screams about never loving again.

• • •

Breadcrumb #590

JOE DEMES

With the hand not cased in honeycombs of plaster and bandage, my sister takes pictures of herself crying in our bathroom mirror. This has been happening regularly: crying, capturing, choosing, posing, editing, captioning, waiting, responding, repeating. My parents say it’s hormones; they think this is a good sign. Recently it’s become audible—her crying—hence their now knowing she is crying, hence thinking her body is recalibrating, hence a good thing. She has been gaining weight again but her bones are still frail; this is the sixth break in a few years since she left the pro circuit, or the let her go—depends who you ask.

When I pushed open the door her face was streaked; along her jawline, tears hung like cherries. I was caked with sweat and whatever the grey stuff on my legs from puddles I couldn’t avoid was, and said I needed the shower, that it wasn’t a rush but could she come knock on my door and let me know when I could use the bathroom, because I needed a shower and to stretch. This was my second workout of the day; I was looking to hit 120 this week, which meant two-a-days of at least ten miles. My shorts and shirt stuck to me grossly, wet scabs that needed to be peeled away. 

“You rot,” she said, leaning at me, “Like drain water and horse shit.” She turned back to the mirror and click click click went the artificial noise of an aperture snapping shut. “I hope you left your shoes outside.”

“It’s some kind of farm animal, yeah,” I said, peeling off my socks.

“Run on the pavement instead of the trail then.” Click click click. “Don’t bring that in here.”

“It’s slick. I’d slip. That’s how that happens,” I said, pointing at her arm.

“Then don’t.” Click click.

“Right.”

“At all.” Click.

“One more time?”

“It’s gross, the smell, and if it’s too dangerous to be out on pavement, then maybe just don’t run.” She turned to me. “At all. Do you really need to hit one-twenty? What are you trying to prove?”

I fiddled with my watch, the plastic band slick with sweat and ridged. I looked through my mile splits, each time another reason why I’d be going pro once I graduated. Our parents were out somewhere, probably taking my grandfather for another doctor’s appointment. I looked gross, but I felt high from the pace I’d kept. It was cool out, finally; the dry season had passed, and pushing myself this hard didn’t feel like a workout. It had been fun. It had been fun and I had been having a good time, and now I was home and here we were, doing this little dance. “Check out mile six,” I could say. “That’s where I broke your indoor record, again.” 

I heard it in my head, coming from a voice like but not mine, its tongue near my ear. It spoke in the way I wanted my voice to sound, not the way it came out in interviews and video footage. It was an easy voice to listen to and I knew it, so I turned around and grabbed the head from which the voice came and held it under mental water while its arms thrashed and slapped until it wasn’t slapping and thrashing any more, and then I dragged its body to a deeper part and pushed it off to let it sink away. I reminded myself of the word amenhorrea. I reminded myself that this was the sixth time she’d broken a bone and that it doesn’t hurt any less the more times you break them. 

It was cool out, finally; the dry season had passed, and pushing myself this hard didn’t feel like a workout.

There, barefoot, in an oversized hoodie and track shorts, her hair in two tight braids, my sister looked more like the girls I ran with than someone twenty-five and living at home again, indefinitely resting, taking record of what had happened to her, had been done to her, and trying to recuperate.

“Can I have this?” I asked.

“I’m leaving, I’m leaving.” She tucked the phone in her sweatshirt pocket and made a sweeping gesture. “The shower is yours.”

She went to leave but I stood in her way. “If I sign with a team, will you hate me?”

“Oh sure, let’s unpack all this while I’m in short-shorts and my face is a balloon.”

“And even if it doesn’t happen, even if I keep working for it—”

“And why do you want it? Why would you, after what it did to me?”

“Why is it bad to want it?”

“The same reason it’s bad to wear their gear, like you do, and let sites profile you, like they do, and consider letting them pay you to wear their uniform, let them pay you to use your face in ads just like they did mine—”

“You know I’d send money home. Home includes you.”

“—which what does anyone do with so much of it? What must that be like, to know you can’t be touched up there in that castle you’ve built because that’s what a castle is: a money fortress. And the king’s crown is made of gold—”

“I can’t follow—I—look I just ran really hard and—”

“—and gold shines and shine distracts, it grabs our eye and soon we forget to ask who mined that gold and who forged that crown, whose hands made the castle—”

“Seriously, I can smell myself and I can feel my stomach eating itself.”

“—no one’s talking about my hand, this one right here,” she said, shoving the cast in my face, “or the other parts of me that they broke, because you’re the one they can focus on now, you’re the heir apparent, the future sub-4 miler they can call their own, to call away attention, when all I want is for attention to be called to this, to me, and everything you’re doing doesn’t make it seem like you’ve ever cared.”

The part of me I thought I’d drowned bubbled up from the surface and stared at me across the lake.

“Say that part one more time.”

She stops. “Say what one more—”

“Say the part again where you think I’ve never cared.”

“Easy: I don’t think you ever did.”

It glided along towards the shore, towards the forefront of my mind, no trace of a wake, no arms stroking or legs striking the water.

“Please let me shower before I really say something to wreck you.”

“Oh,  I want to hear.” She got her face right up in my facespace but her eyes couldn’t focus on one thing, couldn’t hold my gaze. With siblings born close it might be uncomfortable, but besides her being so much older, this is athlete posture. It’s easy to read: the one who initiates is always compensating. Getting in your face is tryhard and sets you up to really look as small as your dick seems. She’s just another body at this point, another sack of meat that I can outrun. 

Soon that part of me was swimming faster, serpentine, but when it reached the shore its stride was calm as it stepped out of the water and lay next to me on the rocks of the shore to dry. “Remember when she told you when you were twelve that she wished you had been twins?” it asked. “How she would have taken the chance to eat you in the womb? Taken all your life for herself? You remember.”

I asked her if she remembered, and it threw off her posturing. I could see the same part of her inside shrinking back into its own lake, trying to find something to dredge up from the bottom, but I started before it could get itself underwater.

“You knew it then and you know it now so I’ll say it now: I’d have eaten you. I probably already did eat a part of you. Maybe that’s why I’m so close to sub-4 and you only ever set that indoor record, which guess what? I fucking crushed on mile six today.” And this was too much but I said it anyway because it felt good, because I was heated and a hundred yards ahead of her and still had gas in the tank to kick: “Maybe that’s why your bones are frail.” 

And I knew I’d gone too far because she didn’t say anything back. She went to leave the bathroom and I all but just stepped aside to let her. The tile was colder than I remembered it being when I got home and my sweat had already dried; the salt felt like a second skin, and I a snake ready to shed it.

I turned the water too hot once I had gotten in, then adjusted it to just south of room temp. I figured this must be what the lake in my mind felt like. Thick steam like a city crowd left runs of condensation all across my body. 

I understand what has happened to her, and all the damage it has done. No one should have to work so hard just to have their body fail them and their feelings publicly executed on repeat, their career brought back down to square one because of it all.

“Except no one sees this” the voice I want to sound like mine said. It finished drying and began heading back towards the lake. On the shore, I was drenched. “No one sees how she is. And from day one she’s seen you as competition.”

When bad things happen to good people, sympathy comes easily; when they happen to bad people, the thing that comes easiest is to turn one’s back, or mock. My sister isn’t a bad person, but she’s become like this ever since she came home. Arrested development isn’t a good look on anyone, and gone are the days where I couldn’t keep up with her pace in workouts and in thought. We are more each other’s rivals than we ever were; I no longer look up to her, and she looks down on me for being guilty of wanting a thing at someone else’s expense, which is exactly what it means to want, or at least is a consequence of it. 

Her door was closed. It sounded quiet, so I didn’t risk anything by knocking. The room to my door was loud as I opened and shut it; medals hung from the knob and clanged like cowbells. On the wall there was a poster that her old sponsors sent me ages ago, when I’d started making news in the junior circuits and she’d just gotten signed. Prefontaine stands in front of a trailer made of corrugated metal, looking past the camera; his shirt reads in red, USA MUNICH TRIALS, EUGENE OREGON; in blue, underneath the arch of MUNICH TRIALS is the year: 1972. The trailer’s curtains are red and its door is open but not inviting; the car next to the trailer is powder blue, and I wonder if it is the car in which he died. Pre’s hair is blond, his skin tan, his body fatless like mine, his mustache thin. The caption in the lower left reads NOT ALL CASTLES LOOK LIKE CASTLES and I thought Welcome to my castle as I stood naked in the middle of this bare room, just a bed and desk, a small closet to hang clothes in and my poster the only decoration, the only thing I’d thought to bring to this room while our grandfather stayed in mine, our grandfather whom my parents take to doctors every week, whom we have not seen in years, whose bones are also frail, whose mind is frailer. I thought of owning my own trailer and living somewhere where I could train year-round and not be in anyone’s way, and this makes my stomach feel less empty as I start my stretches.

• • •

Breadcrumb #589

ZACH KLEBANER

A silly seeker, I’ve been absorbed.
Constructed polemics have failed,
images of communion run constant. 

Amidst juxtaposed ambience
I envisage visionary conquest,
liturgy is inevitable. 

At last, we meet—
A palpable shift: a symphony sparked, 
I assimilate under impetus. 

In a singing chamber
You whisper prophecies,
a thermal set of axioms. 

I lean in to my province
Of Heavenly springboards
like Macbeth’s parapraxes. 

By now, I am a lieutenant 
in this enchanted isle. 
my progress has been published. 

I can’t impose selectively,
The ascension calls
as ascension’s do. 

I am arrested
By your pedagogy, 
by your mythic masonry. 

And together we will soar again
Like winged nomads
through the sky of hagiography.

• • •